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Introduction
'4PYOF—-KAPABRZBBW LS WEEE MICHORESS AWE!
SL'TF—KAP SCA PEWS ADWELES. FS |S ABEP.366O 'F—KAIP 1 OWBEHATHCCESLY
Thank you very much for purchasing lan’s Nerdcore Encyclopedia!
If you’re not familiar with the concept of “nerdcore’”, | recommend you head to P.366 in the glossary to get brought up to speed.
ZORBEHMECUCHEOMRZTI CE, —BHUD EOE OfFmPEOAMACOEBICMAZASOANMABRWOMAROSCECL Teo
EL WER< F—K6IP CHS5bOlsIE<KAABS—ACH—-KIAPE Od. J-COREROD, SUC IS ENA OD, FOC MWESOD HR BoFEOLELE.
££. BRERA <I—KIP CHA5¢ER7CTHRLTWSIE m Cb. AATCSAFT—KIP CREWE RS EOD EZVEHSIT CS, PEE. ZONAZRET SOILS CER AS CBO. SIVUSAREMITIRD THEO. PISOENUMFBWECRETNET.
So, with that definition in mind, you probably won’t be surprised to hear that the most difficult part of putting this book together was deciding what does and doesn’t belong in it. Certainly a good majority of the content is unarguably “nerdcore”, but with that also comes the things that could be nerdcore, could be J-core, or even something else entirely.
On top of that, I’m sure there are more than a few art- ists featured who may vehemently object to having their work classified as nerdcore. In the end, all | could really rely on was my own judgement and intuition - after all, how else could | possibly decide what stays and what goes?
CU TH, CABBEED eK BEOlE KEBICBADYFEBREOO PRESOSZOMMEREWCWSBHACS.
CESOEEEANBEBHBLIO, FAlcS CHMELCHRI SC cld CEECGACLE KE BRUT SOMMEEZMWAGELT BEWED, EW EC SWORUCE CSE EF SNEO CALEWCLES D. BE OB RICIS SAT CHE L CAINS CT.
Eke. SLIOAICHMAENSNEFGEOLOMNGRANTHEST DO BAOFTICFELTWS EIS CLES, ABICRFLTHSW WOES FADFCH—-KAVPHEOHSACHBLTHESAZARSERWEST
FED AMED. HICH SNEHOMS CARESH, BCKOARICHLE NSENREC KEENTEDABOAYL—-YVCS.
COBMBETSTECH-KIP EWS FEEASBICLUTCNSADS DUCEHIBATCNMSHELTIEARMELCBOTWES
Regardless, what inspired me to make this book was simply the fact that | really enjoy collecting information about things | like, especially when that information is hard to find.
I’ve of course tried to make the contents as comprehen- sive as possible, but unfortunately there is some informa- tion which is simply lost to time. | do think | at least man- aged to include just about everything that still physically exists to be cataloged!
If by some chance you do happen to have something that you think should’ve been in this book, but wasn’t, | implore you to take good care of it, archive it, and share it with the world someday.
| feel that any work someone has gone to the effort of creating and sharing with the world, at any point, deserves to be available for everyone to enjoy.
In the end, if the creation of this book inspires even one more person to have a love for nerdcore and a desire to preserve it, then I'll have accomplished what | set out to do.
ENCE. FP YOF-KAPABRERRLACESV!
With that, please enjoy lan’s Nerdcore Encyclopedia!
ins
Foreword
BWDT IF PUY RENAKP IDL (BP IDINL) EF (GEN) BD CEITEWET |
Wassup! Congratulations on the readable ablum (er, album) degrease (er, release)!
HST PV VCMU<SF—-KAYPF—K. SikltAglcHoTWES L, Mint Bib AITKEA. CORAM SHAMEN TIT TISHRTH, COBPEECHBIFSRM URED dhe! (RBACDTPORMA RD D)EAEHA, APU MRE 2 CED GIRED SRO. NABI, PpSICB SES TEMS CNEL 4 ANT ATP VICLACH ED sce | BAP Y | BWI—KAP I RERRIEST TZ |
Like lan, I’m what you’d call a “nerdcore nerd”. I’ve got a mountain of nerdcore CDs too, and | know | could take him on in a battle of knowledge or passion. And yet, even though I’ve gotten to both produce and perform my own music, when it comes to chronicling the history of nerdcore, | was beaten to the punch! While | didn’t quite have the persistence (or publishing know-how) to do it myself, lan took it upon himself to scrape up all the scattered scraps of nerdcore history, put the pieces together, and pour all that information and love into the completion of this book. | don’t think anyone else could’ve seen it through! Great work, lan! Viva la nerd- core!
LOL. BACCABICAASEF—KIAPRYELOD:: BATHS t@AbRLI-KOTVYFEsA—lCEVRPSOVELE. "LIDERMEY hetoA< Boke OMRE Fo THEW lo TNS He aake SF RIBRIERRICLS pS KO ET SSDS REICH CH 90 1E3.F—-KAP STERIC eEDTHESICTCHEATCT | BROS BM CRUTLIWS BRYSSE—4.6¢4,.DATYLREAO ER eSB Ss (SAMTBALESSITE) CSWSAZIYAlcho—d Oz BROAN TLEDEAKRE~ELALARLELTE.
But what is it about nerdcore that makes it so compel- ling? Thinking about it, | think this quote from an interview with All Japan Records might provide a bit of a hint: “Some kids will be given a Lego set of a castle, but want to build a tank instead, and just go for it, without caring about what they were expected to make. There was a flag for the castle? Put it on the tank!”. That’s exactly what “nerdcore” is to me - most of what | enjoy fits in with that description quite nicely. Also, in the words of DATYE, “my production gear is wit and valor”; I’m sure he was joking, but | wholeheartedly feel like that outlook is what charmed me into the horse-beating life (see the entry about Quick Japan on P.344).
APY BYICBRNSE ! SLTHHICBOMES | WWIODLA TH — KI7 Bee tFOKLES ! (KAWASAKLZD Ic)
You’ve really done a great job, lan! Thank you so much for everything you’ve done for nerdcore! Someday we'll have to open a nerdcore musem together (Somewhere in Kawasaki)!
F4AIABASA (Disc Yurion)
— v3. /
fFm7 —FIN—A2DORGA How To Read the Release Database
De Ty hii Front Cover y
SAIL Title”
P-TF4Ak Artist(s) ae Catalog Number AHAB Release Date HotnsFry7AM! < Check the box if you own it! t L?E/Rarity ton =BBICFICAS
Easily purchasable kkk =PACES HS
Shows up used often dodo H=PA CeEICMT, EMME CHSNS
Shows up used infrequently, sells for more than original price tok =FHC1. ZELDA TRV, TABU FELEL
Has only been sold used once or twice, only a handful exist toh tt = PACH TCI CHER S CED IED TS
Has never shown up used, existence may be unconfirmed PAA AIK = — BPE CHES FICA SEWSO
Only one exists, or other unattainable items
{fm7—IN—AZ
+-KI7 ie
Release Database: Nerdcore
SECS Nie -RASNEF—KAPV I ABLTWSEMOMT.L—NIL BRAT —KAP RROD CHSBElSL—NILA,. SLTC—BO fe mare ls tt A=YhHCECHOTWESF EO hs RRC CECHTWES,
This section catalogues all nerdcore musical releases which have been sold or distributed to date. Releases are grouped by label if the label’s main activities were or are focused on nerd- core; all other releases are included at the end of this section.
A-10 Records
‘ eo (Ae)
202k FSOOF BwOOF Logo from late 2002 onwards First logo
DITP TDI EKEDL NID. TL TP DID, 19945E D5 1 996F HOA YRELT2001SED5 20034 OCDYY—AlcPH. F1TVP TY OY OVE MO th IP-Fr Ir AVIN\N-EEPDSMLTHSIY EL -—YayYeVU-ALTHWE
SF. ETOPEGMD20174EDS Stereo Recordsle TF YAIVEMEEN TUS,
Label created by Cycheouts primarily to release their own works. Used from 1994-1996 for cassette releass, and revived from 2001 onwards for CD-R releases. Most releases reissued digitally by Stereo Records beginning in 2017.
Untitled BROWE HITS
heave ey, Al IEE De aay:
-/4 4 2/984 -/4 eq 1996-10-11/Cassette 199?-06-13/Cassette 1996?/Cassette
» oO. @.@.4 U » oo. @.O.4 | tok In OU
8
Classics 1994-1999 =a—9x44y KING OF THE BEATS HarPoy HarPoy HaePoy A10CD002/17#8 A10CD001/15#8 A10T04/9# 2001/CD-R 2001-10-21/CD-R 1996/Cassette
KAKOK Oo kkk iK* O ke KH LJ
TVF
“IESE IE A10CD004/10848 2002/Cassette kkk
Cutie Archives 1997-2001 Waa A10CDOO5LE/8#4 2002/CD-R Kak
quantum jungle
WAT DY A10CD003/884 2003/CD-R KKK
quantum jungle
Wales A10CD003/8#4 2002/CD-R
KKK CL
Control DATA
VA.
A10CD005/13#4 2002/CD-R
Kak L]
CLASSICS 7%
Classics 1994-1999
YAP OY A10CD002RM/17#4 2003/CD-R
tok O
Classics 1994-1999
aero! A10CD002RM/17#4 2002/CD-R
KKK OK L
TVF Ver.1.108
wale Dy A10CD004/1 084 2002/CD-R
KKK OK L]
$-QU-I-D
YAP IY A10CD-O06LE/5 #4 2003/CD-R
dob Ss O
Hhiztd5 Sit? And more...?
FAITE TIDIATFEFAITPY Presents|ODY 7 Ty hOB lst 4 7 TIY BEOBRDIAD—VIENT TOHO—-MISEZE STITT IY DAY MEROD Ty KER. TALEO SEL ICA CTD. ATH SICELHOELT. ARADHSAISBIBLT CHEE!
The back cover of the Cycheouts live video “TPV Presents” features a collage of Cycheouts-related images, a number of which appear to likely be jackets of Cycheouts cassette releases. No further information is avail- able, but the images have been collected here just in case.
Acid Panda Music
AcidPandaMusic Tokyo. Japan
LAINIVE VY EROL—ANIL, 1998SFRIT CL AI NIV EY OIEA EOE RE
JU—AZ, EIOGAZAEBALEW DAY kOPF
AFEUVU-ALTWEK GS, BF
CH SIIJUMBO POWER KING RECORDSJO(FMSTHE5ICBENTOERST,
Created by Leopaldon in 1998. Acid Panda Music has released music from both Leopaldon as well as South Korean unit GAZAEBAL. Releases from the label’s predecessor, JUMBO POWER KING RECORDS, are also included here.
LANL 7s
TETCEP.
ARM y ps Dog|Side)
eS, Is DALLA) eA
im KEP
LAINILEY APMO001/4¢H 1998-06/12” KR
LAINILDEY APM004/2#H 1999-12/7" Ka KK
L
MRNEA—ORS
LAINIVEY JPK-001/124 1996?/Cassette tok
LAINLEY APMO003/2#H IEE AY KAKO
1 als a]
BEDS
LAINIVEY JPK-001/1284 1996?/Cassette » oo. @.e.4
LAINILEY APMO002/2#H 1999-06/7"
KAKOK L]
FEAR OD
LAINIVEY APMO007/20#H 2002-11-08/CD Kits q
GRIT
LIVER
LAINIDEY APMOOX/12#H 2002/CD-R? Keke ~
eared EES
‘THE REST OF LEOPALDOF eae
|
VAAUVEYOUSS) BECWE4AW LAINIVEY ILSMCD-001/1688 2009-08/CD tkekik q
Cake or girl?
LAINIVEY APM006/17#8 2000-09/CD kkk ct q
Gamecenter 2 Homecenter LAINIVEY APMO009/19#H 2007-06/CD
Kk tk q
THE LAST EMPEROR of NERDCORE
AMAN CALLED LEOPALDON -/1688 2005-11-18/CD-R?
bo. @. oxen? 7
conan
Talk.ep
GAZAEBAL APMO05/4#8 2000-06/12” tk q
¥AITR—
LAINIVEY APM008/208H 2004-04-09/CD
Do. ohakak q
MeNmARR/ OD —9R
MeNeS5F
-/64
2002/CD-R Kook 7
AKT Compilation Album Vot.2
44 /L 42 AKIRA TRAX
DJ SHIMAMURA#) #8438 7-4 FID RFR OGMAL— Albeo ip negro ol BRIE GC. eARSEE CHES. a ES By fare PIkuR+A2 Ft Kv Personal label created by SS = SAS = DJ SHIMAMURA for his first 74 FIDE 774 FILER ER project, 7-4 K// PF HL. AKTX-02/12 8 AKTX-01/1 288 th releases were limited 2000/CD-R 2000/CD-R 50 copies or less, and Kk kk: UO So. Oo. od on d at eARS, among others.
Allkore
ALL<O3c
DJ SBZEREOT’ XU AF/\—FAY:F—FAVL—AIL, beauty:burstNOUAN DEDSS<OVEEDDVDT —Att#R, FAKND 127 U-—AOINDIEUMA, FNew Disc] EINerDID IDO BREHO TOES. AY KOYAAllkore Riot Kontrol|#= 2.
Hardcore/nerdcore label originally established in the USA by DJ SBZ. In tribute to beauty:burst, many releases come in DVD tall case packaging. The “ND” of the
AKND series stands for both “New Disc” and “NerD”. The label also hosts the internet radio and real-world event “Allkore Riot Kontrol”.
LL¢ORE 310¢ SOUAD VOL. 1
Allkore Riot Debris Allkore Riot Squad Arc inaniee Vol. 1 Vol. 1
V.A. V.A. V.A. AKCD-0002P/7#8 AKCD-0002/16#8 AKCD-0001/12#8 2009-10-13/CD-R 2009-10-13/CD-R 2009-05-08/CD-R
Kk kb OO kkk Oo kk L]
GAME RAVERZ 20XX Burrito Vs Salata De Saturday Morning
Vinete Coretoons V.A. DJ SBZ vs DJ Melancholia V.A. AKCD-0004/138# AKCD-0003P/2## AKCD-0003/1684 2010-12-31/CD-R 2010-05-14/CD-R 2010-05-14/CD-R thkok ny LI kkk ks LI bo. @ akand LI
Arc Impulse+ Allkore Riot Squad Allkore Riot Inter- [Prelude] Vol. 2 mission EP
V.A. VA. VA.
AKCD-0006P/7#4 AKCD-0005/2284 AKDIGI-00/588 2011-05-20/CD-R 2011-04-11/2xCD-R 2011-03-05/File
kkk kts 1 | kkk LI kkk kk LI
50% Anime, 100% YIVEIOR Arc Impulse+
Hard
DJ SBZ VA. VA. AKPD-01/284 AKCD-0007/11 #4 AKCD-0006/15#4 2012-01-05/CD-R 2011-12-31/CD-R 2011-12-31/CD-R
KARKKK Oo kw KK O wwe LJ
Vol. M3 ~3/5F~
Allkore Riot Squad Vol. M3 ~3sE~ VA.
AKPD-03/9#H 2012-04-30/Cassette Oo. 0. an4 U
SEGA NERDCORE GENERATION
VA.
AKND-01MS/17#8 2014-10-25/CD KK L
SEGA NERDCORE GENERATION VA. AKND-01DC/17#H 2014-10-25/CD Ky LJ
Allkore Operating System Ver. 6.22
V.A.
AKDIGI-01/1188 2012-04-15/File KN L
KKK L
SEGA NERDCORE GENERATION VA. AKND-01ST/178 2014-10-25/CD bkitiotk |
Allkore Riot Squad -Katsucon Edition- VA.
AKPD-02/11#8 2012-02-18/CD kkk UJ
Allkore Riot Squad Vol. 3
VA. AKCD-0008/22#8 2012-06-22/2xCD-R Ka KK a
SES aulKore
SEGA NERDCORE GENERATION
VA.
AKND-01MD/17#8 2014-10-25/CD KIO L]
COED tt
UNDERGROUND TECHNO~ ib 17 ~
VA.
AKND-04/13 #4
2017-
04-30/CD-R
Kio L
BOY VS GIRL
Pop Chasers
AKPC- 2017-
01/188 10-31/CD-R
kkk i)
pea re ==,
CHBY x S0msEsE!
Sellin a
at Anime Central - 50 copies sold!
CLAMP FEIT JE
ALLKORE FILM FESTI- CLAMP3E)72/
VAL~ RRR U4 7 ~
VA. V.A.
AKND-03/17#H AKND-02/10¢H 2016-04-24/CD-R 2015-04-26/CD-R kiki Oo kietkik U
‘Underdome Expansion
ALLCORE
Underdome Expan- Warum ich J-Core
sion Liebe
Rex Buron BrainShit
AKND-04P2/16#4 AKND-04P 1/188
2017-04-30/CD-R 2017-04-30/CD-R
Kk kkk LJ kkk kt {J Sy
AllkoreD#e 5
Allkore’s Beginnings
RESHEUE ‘MEESIACORLT Actual production Bhd fig A
completed Raw materials purchased (cost split between aritsts)
beauty:burst
beduty:bursts
YITT'TDI ODI LUCKYEHED L—N)L. 4apiilkbeauty:beastc SLL RAED PIVAY DIY FOAL —P1AL SME e ATT DI OTS PITY FECT en. IY EL Yay CDiclt Ty ROD. KIT FIV S—RABEG LT DIAVOLEII—AV/\—EHC FAL COBMESS EKA COIVEL— Yale ROSNICT—V DEEL TUS, BI CHSDI LUCKYZ BOP EMET 5S ICBENTOES,. (NY FT NERDCORE CHAMPION | =E##. 201 1 FAT EEIALE.
KK
ey] NG P|
Originally created as a brand for Cy sioue T-shirts, beauty:burst was named after designer Takao Yamashita’s fashion
abel beauty:beast. Each compilation had a specific and usually very unique theme, with choices ranging from magical girl anime to American drama serials. Releases under the DJ LUCKY name which predate the label are also included here. beauty:burst also organized the NERDCORE CHAMPION event series. The label ended all activities and disbanded at the end of 2011.
\. eS
make me feel alright?
-CORECRATIRE- Slim Case Version Jewel Case Version DJ LUCKY DJ LUCKY DJ LUCKY
-/6 #4 -/5 4 -/5 HH
1999-09-18/CD 1999?/CD-R 1997?/CD-R
kkk ks UI kkk i” kkk UO
Ser PLAY ver.bet
ms went
duty:bur ste
PriIPrvytaw £UDSyPUREX2 BRAVES ver.beta GALS
VA. VA. DJ LUCKY
-/684 beauty:burst CD-1/11#8 = -/7#R+ 47 USK 2000-12-24/CD-R 2000-07/CD-R 1999/CD-R
KAKKKK OO kkk K Oo wk KH LJ
PAP LVYIAW 2010
V.A. VA.
-/13 8 -/13 8
2001/CD-R 2001/CD-R
KKK [] Kk IS L]
STONE FOREST ver.beta
VA.
-/5 #4
2000-12-24/CD-R
» o.oo axe LI
DAN—ANR 4 N5—-ANS-Z% VER.B VA. VA.
-/7 AH? -/7#8
2002/CD-R 2002/CD-R
took Ik Oo kk kwK* L
MISSION OF DEAD SheForce FX 5800
SOUL *8-Track Version WE OF Ey VA.
-/6 #4 -/8 #4
2004?/DVD-R 2003?/CD-R
KAKKK Oo kok L]
Y4I7TTIINS beauty:burst
2002/CD-R KAKI L]
SheForce FX 5800 *5-Track Version VA.
-/5 #4
2003-10/CD-R
b oO. @.ak¢ a
20
Blank Savage HM S. NAL-ISE
V.A. V.A. V.A.
-/7 #4 -/6 #8 -/5 #8
2005-12-29/CD-R 2004/CD-R 2004/CD-R
KAKI |e. @.0.0,9%4 Oo kk kwK*K L]
FORE VER
beduty:but sts The Road Warriors XY AFOREVER VA. VA. VA. -/1168 -/9 8 -/5 8 2006-12-31/CD-R 2006-08-13/CD-R 2005-12-29/CD-R kkk CJ » o.oo. ake a » oo. @. ake CJ
any
DEAD SOUL
Ibeautyabur ste “i 3 MISSION OF DEAD RREA AX OREMIX 10TH IMPACT SOUL A DY VA. VA. -/6 #8 -/6 #8 -/1 268 2008/DVD-R 2007-08-19/CD-R 2006-12-31/CD-R
KAKA OO kkk K* OO kkk *K LJ
21
B-h2STH-SEI! VA. -/11 68
2007-12-31/CD-R Kk [I
2009-12-30/CD-R Ka KOK LI
aR
DJ LUCKY
-/5 44
2007-12-31/CD-R KAKI 1 |
oy) beautysburst
Ris A
BOTA BAS~KZS Best Collection~
KZS
-/1284 2009-08-15/CD-R kkk ok LI
DYNAMIX
beauty-burst
THE LAST
DYNAMIX -THE LAST-
V.A.
-/8 8H
2011-12-31/CD-R KAKI L]
Ge OUTS
Slik ERT
Dal op PD
-/9 HH
2007-12-31/CD-R KAKI [I
Darrwitea
2099
VA.
-/1 068 2008-08-16/CD-R KAKI L]
*
FeAl
VA.
-/12 64 2011-12-31/CD-R KAKI LI
22
23
from multi transform
naru-naru TYO CDU-01/788 2001-08-12/CD kkk U
X-TREAMASTER 257 VRAR—-AZb
hub master CDUR-01/9#4 2001/CD-R
» o.oo. ake C]
Ace Of Aces
VA.
CDU-03/11#8 2002-08/CD KAKI L]
Summer Anthem After Song Collection 2001 naru-naruTYO& MJ J—Le CDUS-01/388 2001/CD-R
kkk ks UO
X-TREMASTER 1-97 ZAR—AAZb
hub master CDUR-01/984 2001-04-30/CD-R kkk bs a
Btryvs—-FstutAz
VA.
CDUK-01/688 2001/CD-R?
Kk kkk L]
HoCHET Oe
ysano CDU-02/7 8 2001/CD kk kok
WV y bh
\ eo A NG ty Fi ZS LOMRSI AE naru-naru TYO CDUR-03/9#4 1999/CD-R b o.oo. ake L]
DaBLADE Records
I—EROL—N
fake compilation “A AEDs I—KL.LAIDE AF fc) (o ) LESH MBI—FD AYOPIBLTU TE. «+++ Ram doubler: -- - =r Ba DaBLADE was run by Ram fake compilation B fake compilation A Doubler in the early 2000s. YPYTSIZAFEP Leopaldon, Ashita, and All SLATVS— SLATS— Japan Records, among hers, participated in the rdx-002/6#8 rdx-001?/7#8 pueler pelt ielbe label lations. DJ 1997/12" 1996/CD Sean aie
Siegzeon was also a
Keb U bo. oe. ake CJ member of the label.
Doku Records BMOTVZEROL— ,
Nib. SPROUT KDMELA EP -AAFENTEW TEM
(EGRO SEMIS AAB. TN TCOLONY |=. Fukuoka techno artist fake compilation:D fake compilation C Ashita’s label. Release tTe#—-V<YCD L/Re p information is incomplete VA VA i due to the lack of archived Ba uae pages for the label. Doku DBR-004/1484 DBR-003/5#4 Records also organized the 1999/CD 1998/12” event series “COLONY”. Kkk tk LJ Kkkkistk LJ
HRs EHA PROTOTYPEO00 FI-=HANIFIIV ACTOR COLLERGE MONDOBORG Ashita Ashita DOKUREC007/6#8 DOKU-R006/9#4 2/288 1999?/CD-R 1999/CD-R 1998?/CD-R
KAKKKS L] KAKI O kkk a
24
YR—YATFEI—FUI
V.A.
THC 890/11 #4
1999/CD
KAKI CL)
FOXYUN ZMUSIC 2
PRIDQATFEI—FUI
V.A.
DSLP0001/7#8 (EBA
KAKI L
FOXYUN ZMUSIC —
ieee s970916
een seis RMRANIBERAE 157
FOXYUN ZMUSIC 2
FOXYUN FOXCT-02/1088 1998/Cassette » oo. @.0.4
BRixHVEHA
2ND ANNIVERSARY MIX(TMK SPECIAL) FOXYUN FOXMT03/284 1998?/Cassette
b ooo. O.4 a
ren) (1008 FOXYUN RECORDS
FOXYUN RECORDS 15.7 Natorgaoka Noto MVAG! 81-235 JAPA ower n-ha.ne-o/ecer Manager hk
FOXYUN ZMUSIC
FOXYUN FOXCT-01/14#8 1998/Cassette toto [J
BMH VEHA
HAPPY TO HARD MIX
FOXYUN
FOXMT02/28H 1998?/Cassette
tok I L |
Drill Schaft Recordings
I\A1IS—U VY FOXAVIN-D BO StENET— FIP RIP AyIATPED—PUIL IDET. UR—-VAD PE F—FUIVINCIEDATY 4 FOX Ha HRB RT — VL EUER. LF-%20)IK RESUSCITATION |
BARA,
Established by former HYPER RICH members and publisher of the highly: r-aard ed Attack of the Killer Dril Return of the Killer Drill features DATY’1 k's beloved $RBOAI—IV, and | personally recommend the K RESUSCITATION tracks as well.
FOXYUN RECORDS
ecorels XROGER, ld/AUTERL-1 FIE EMFOXYUNMIBAL —NIL. MHOA LY bh Fane SH T20 EL Le Lilt TOS,
Personal label of XROGER and Handaya Rave member FOXYUN. Including early cassette releases, has has continued activity for more than 20 years.
BMsHVEA
ETC 1ST ANNIVER- SARY MIX
FOXYUN
FOXMTO1/28H 1998?/Cassette
tO I L]
No image
NEKOPHYTE
FOXYUN FOXCD-02/11 #4 2000?/CD-R tok Ik
bon-7
FOXYUN FOXCD-00a/1 684 2002-10-27/CD-R KAKKK
FOXYUN FOXCD-02/9#8 2007-10-08/CD-R KAKKK
No image
WELCOME MERCU- RY-UNIT
FOXYUN FOXCD-01/12#8 1999?/CD-R
tok Ik []
No image
THE RESURRECTION
OF FAMICON CARAVAN
FOXYUN
FOXCD-04/11 #4
2002?/CD-R
tok tk CL] J
=rveEnIDSEALD 5H Sia) FOXYUN FOXCD-01BOOK/8#4 2002-11-27/CD-R kkk |
No image
FOXYUN ZMUSIC
FOXYUN
FOXCD-00/14 #8 1998?/CD-R
tok Ik L
No image
HAKKE ON
FOXYUN
FOXCD-03/11 #4 2001?/CD-R
to kk L
=rvbnIDEEALY 5H RS) FOXYUN FOXCD-01BOOK/8#8 2002-10-27/CD-R+Book » Oo @.@. 4 i |
26
27
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B<HS5435 RANECRA!
FOXYUN FOXYUN FOXCD-04/9#4 FOXCD-03/6#8 2010-05-05/CD-R 2008-10-13/CD-R KAKKS OO kkk KY L
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-/2 FOXCD-06/9#8 2013-12-31/CD-R 2012-10-28/CD-R
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amanisd27.
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FOXYUN FOXCD-05/11#8 2010-10-31/CD-R Kak L]
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FOXYUN LOLICOM-01/684 2015-04-29/CD-R
Ka KOK L]
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FQTQ’s personal label. The solitary release (so far) from the sub-label CRAZYPOPS is also included here. FQTQ also organizes the ongoing CRAZYPOPS event series.
SSCs
-CRARY POPS
CRAZY POPS
FQTQ FMCDZ-001/11#8 2005-04-21/CD KAKI L
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28
Funky Party Time!
FQTQ
-/1 64 2013-06-09/CD-R KAKI
Space Blaster EP
FQTQ FMZCD-004/4#4 2016-04-26/CD-R KI
FQTQ FMZCD-006/9#4 2018-05-12/CD-R KKK
HYPERACTIVE
FQTQ FMCDZ-003/15#4 2013-06-09/CD KH L
BIRCIPI Lelzas<!
VA.
CRZPS-001/8#8 2015-04-26/CD bet _
Secret Playland
FQTQ
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FMCDZ-001/11 6 2009?/CD
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TEBR-013/4H 2014-09-06/CD-R KKK C
Funky Party Time! 4
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2017-03-02/CD-R
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GABBADISCO
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VA. VA. Borne aera ah GDA0002/13#H GDA0001/3Ef byOlsharneland DI 2001/CD-R 2001/CD-R CHUCKY. Only nerdcore-re- kkk ok a ttt tbo: [J Jj lated works are included.
i865 Last Words GABBADISCO
2002 EP ANTHEMS 2 Ga) M-Project vs DJ Sharpnel DJ Sharpnel vs M-Project V.A.
GABDSG002/288 GABDSG001/288 GDA0002/13#4 2002/CD-R 2002/CD-R 2001/CD-R
kk kkk LI kkk ks LI kkk kt LI
Operation No.9 t&BEEP We Are Bootleger EP
M-Project vs DJ Sharpnel DJ Sharpnel vs M-Project M-Project GABDSG005/3#4 GABDSG004/5 #4 GABDSG003/3#4 2004/CD-R 2003/CD-R 2003/CD-R
KAKKS O kkk O kee K LJ
30
F F< Hardcore Remix J—-#HbL! GABDSG007/484 2005/CD-R
Kk kkk
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HSsess DOPE UP!
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No image No image
Voyage DOPEST LIVE 2004.08.05 O'd BALLZ O'd BALLZ 2/984 gcme-005/10#4 2008?/CD-R 2004-11/CD-R
Kk KKK Oo kek
Digital Alchemist
M-Project GABDSG006/4#4 2005/CD-R
KA KKK L
Abnormal Fair Lady Oven Toast Jam gcme-001/684 2002/CD-R
tok ok L
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Oven Toast Jam gcme-004/18#8 2004-08-05/CD-R
tO I L]
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GFKCD-005/12#8 2000/CD-R
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GFKCD-001/14 84 2002-06/CD
Ka KK L]
GFK Records Dokking Album Vol.1 Three State & Royal Escort GFKCD-002/13#4 1999/CD-R
Kk KK L |
haz solo
haz
GFKCD-004/98H 2000/CD-R
kkk kk CL]
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Groove TAKESHI GRT-001/2#4
2000/7"
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32
EURO BEAT BOXER E.P.
HONDALADY ARZS-0008/5 #4 1998-06-13/CD
Kk IK L)
HONDALADY ARZS-0014/3#8 1999-07/CD KKKKE L
Oranges & Lemons
HONDALADY ARZS-0027/2#4 2000-12-13/CD KAKKS L]
RED
HONDALADY ARZS-0013/3#8 1999-06/CD KAKKE U
HONDALADY
S85 Remix
88 Remix
HONDALADY ARCH-001/484 2000-06-19/12" KAR LI
ROBOT ADVENTURE
FQTQ
GFKCD-002/13 44 2002-11-22/CD KKK LT]
THUNDER CONVOY E.P.
HONDALADY ARZS-0009/4 #4 1998-10-30/CD Ka L]
YELLOW
HONDALADY ARZS-0016/3#4 1999-08/CD KAKI LJ
We are back ep
2002-11-10/CD-R 2001-11-11/CD-R
peacH ON DA LADY
peach/HONDALADY WINN-82148/884
1Pac Pirates DVD
DDCH-2102/5 #4 2006-06-25/DVD-R
PRINCE
HONDALADY ARZS-0030/14#4 2001-04-25/CD- KKK []
3ERVINYL HONDALADY WINN-82137/12#8
2003-08-21/CD KAKI L]
TVTB
HONDALADY DBGL-0002/1088 2005-09-25/CD KKK L]
Cassettable
HONDALADY DDCH-2311/7#H 2009-02-11/CD KH
Escape (from SFJ)
HONDALADY
-/1 #4 2009-12-23/CD-R Kak
Freestyler DVD
HONDALADY -/5 #8 2010-04-03/DVD-R KAKKK
LI
LI
World Record
HONDALADY DDCH-2305/7 #4 2007-12-12/CD KN L
LIVE20090731
9SBOS
HONDALADY vs #8608) -/72 4H 2009-10-14/DVD-R
» o.oo. ake LJ
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NO MORE SNEAKERS
HONDALADY KMN-012?/988 2010-04-03/CD-R KAKKKS L]
303
HONDALADY DDCH-2106/7 #4 2006-09-20/CD KKK CL]
Diy SOME
HONDALADY KMN-011/11 88 2009-08-03/CD-R KAKRKE L]
Wey
Sneaker Mon Amour
HONDALADY DDCH-2317/888 2010-03-17/CD KKH L]
STAR BOWLER
HONDALADY HLCD-102/11 #4 2011-10-15/CD
KKK LI
ON PATROL
HONDALADY DDCH-2335/7#8 2013-04-03/CD
KK LI
SAMPLING MADNESS
HONDALADY BSUK-1001/9#4 2015-09-09/CD KI L]
WINNER
HONDALADY HLCD-101/15#4 2011-06-09/CD
KKK L
10x10
HONDALADY HLCD-103/17#8 2012-11-10/CD KK LI
ca & POWER STATION
HONDALADY HLDV-105/17#8 2014-12-27/DVD KN L]
FST IVIZ
HONDALADY DDCH-2324/8 #4 2011-04-20/CD KINI LI
HONDALADY
HONDALADY HLCD-101/15 #4 2012-05-09/CD KAKK L
LOOPER LOOPER
HONDALADY DDCH-2344/7 #4 2014-04-23/CD KAI L]
36
ORYAUF4
HONDALADY HLCD-107/138 2016-10-22/CD KKK
A FHONDALADY 8As HONDALADY HLCD-110/48 2018-08-19/CD-R Kk
A FIHONDALADY
HONDALADY -/6H8 2018-11-21/File KAHN NK
Yreyess—=a (1997
Demo) HONDALADY -/2 84 2016-07-18/CD-R kkk ks
HHONDALADY
A FIHONDALADY 7A5 HONDALADY HLCD-109/444 2018-07-22/CD-R KKK
mHONGALADY
A FHONDALADY 10A5 HONDALADY HLCD-112/448 2018-10-21/CD-R KAKO
HL RECORDINGS: THE FIRST CHAPTER V.A.
HLCD-106/13#4 2016-04-24/CD
KIN IK L]
A FHONDALADY 6AS HONDALADY HLCD-108/4 88 2018-06-17/CD-R KKK L
A FHONDALADY 9AS
HONDALADY HLCD-111/488 2018-09-16/CD-R KaKK LI
20014E7 Alc, DITA E/N y DDR ER ICIT OTR ID DSB AAROIFUNKY eT —ViCLRBREVI—ATSreHlc LBT IZLE LI. ABI OBRISERATIC 7c TLOVE BEERIC BONE YY KOE) LODIEVES #lcTLOVE BEER TRAXJCBATITEL TE. RAID 'J—ATLOVEBEERTRAXO00| 15-7 DTRREOL Cr —G OVER EN, SRHSZ CEC OME TOR LI
In July of 2001, after visiting an onsen in Hakone, DJ-’# and Paricco were struck by inspiration, and decided to start a label to release Japanese-produced "funky" music. Upon seeing a banner for Sapporo Beer with "LOVE BEER" written on it outside the station, they gave their new label the name "LOVE BEER TRAX". The label's first record, LOVEBEERTRAXO00, was reviewed in a few club maga- zines, and got quite a good response.
>>
200247 1Allcld LOVEBEERTRAX000 DV FAFOUY—AIN—Fal PNY 1 RY DY — Ve FEROS VI AY OY CHELELTE. TOTAY ECE BREAYEL—Yay CD €BCAL TUT, STULAR, LISS < OM, LBT 1 Nv Med ZIOOKINZ-YPBDPoIESLUCE, ME2Alcld BAETYROAE—ILA SMES ORAZ IT CLE LD —-NI LV! LOVE BEER TRAXJD*5! LBT|\Z BLE. 2002F AICS T LBT REBEHEL. TCO SIZEBEOESIC HEBD PES AE SHS DI EDOMWEDBOKLICS MISA SICH BORERCODRU CEO COT.
In January of 2002, LBT held a release party for LOVEBEERTRAX000 at Yunessun, a small onsen/resort in Hakone. They distributed a free compilation CD at that event, starting a tradition that has continued for a number of LBT-organized parties. The next month, after receiving an official complaint from Sapporo Beer, they changed the label name from "LOVE BEER TRAX" to simply "LBT". LBT held their first bounenkai, and they've continued to hold them almost every year since. Originally, they were organized as musical events, but in recent years they've become more traditional parties.
38
2003F11AIcCAKARY 7X LBT OIE XK Y/N 10K, 124911 Blclt LBT CHIATRHVELT. ELT 2005S F1IAD SIE (IEE) BAREENS/\-F4 [Drinkers High D4ekUELTE. SEB C IIB ENE LZ. 2006 2A clk, DJ AFEINU YIICEDT. BEI FIIDIAZK-LIDERO RENEE INU ID EEIE YS, DITA DRY EL THIMEEN, AB ELTISEARO DIAL —LE DINE V CRELTUXK ED CFG, 2013 ICSE ISO BARDEN KLie. Ke, 2008S SBE Ema! lt! DIX BRAIDMAOITI ageHaM 7 —\—/\—lagePal GBREN TOKE.
In November of 2003 Petank became an official member, and LBT's first group live performance was on December 11, 2004.For 2005, LBT held an (almost)- monthly event series called "Drinkers High", a total of 9 times through the end of the year.In February of 2006, DJ-’7# and Paricco started an online manga series called 77 DJAK—L ("Club DJ Storm").The manga chronicles the journeys of protagonist DJ Storm as he participates in DJ battles, with artwork by Paricco and writing by DJ-17. The first volume of the manga was published in 2013.Also, beginning in 2008 a spinoff entitled "[E] IDIXAAB" ("Spin lt! DJ Megane- kun") began serialization in "agePa", a free publication from popular Tokyo club ageHa.
2006F8ADSISN- 7) GHEIKDI MiCLEWS 4 CE) OW 24RIOM SHAT (2) HET LBT ICMALEL Ee. BE, 207FIAICAITS (ESAS 1 FRICSUSBMLTOELE. ELT 20081 AlcH A VY /\— CH SRIRY ALY S— PS LBT (cMALELZE.
In August of 2006, ¥-f“7/l (currently active as DJ MiCL) joined LBT for a "trial period" of two years. Another artist named AT 77 also joined for a year in the beginning of 2007. To round out the new additions, SAR 1b y F— became part of the group in January 2008, and remains a member to this day.
2010 ORO M3 (elt LET ELC 7ERVICBMML, AY EL yay CD EY Y-AZALELE. TOHEDIZEEA ELBE M3 (CBML THY, FIFA DE BISETE LTLEDTOEST EK, ED SIE CDS PVFOFEEBIC RYE COUU-AZA AReaLE Le. HEltBandcamplcSUY TS, HK EAWMLTOETO CHOF I YILTCKIEEUW!2014F clk PORTASOUNDS Ofig& Maeda Kenji 0 LBT IcHDA, EDI 1 YT YT DRRENELE. I FORME DITA Nyy ( RAR aL 4—), Maeda Kenji DHALEROTORT,
For 2010's spring M3 event, LBT participated for the first time in 7 years, releasing a new compilation CD. They've continued to release new CDs at M3 consistently since then, frequently selling out extremely quickly. Furthermore, in 2011 they began distributing online music releases alongside their CD and vinyl output. They currently have a large catalog available on Bandcamp. In 2014, VJ PORTASOUNDS and artist Maeda Kenji joined LBT, rounding out the current member lineup. Live performances generally include DJ-47, Paricco, aR 2L y4—, and Maeda Kenji.
2012ICN AY LBT OFRAPLELE GS. 201 62RD SIS NU y DS MEDS AEE CD, PUB GEO SRB XY vy — RAL RUT OE F.ELTRMCAICET L EICMELMIET SIE ECO TOES, Maeda Kenji ki WOOEKRNEDT PIE LIEV, HEPEDIEVUL TOES. SLC DIT AED PF PIV I-Fa—I\-IEEADELTHOSZEI CT. BERT EY DAE CT haw
In 2012, Petank left LBT to focus on other projects. Since around early 2016, Paricco has been quite active writing about the drinking culture in Japan, including the #43 as well as multiple other major publications. He's also appeared on TV anumber of times thanks to these efforts. Lately, Maeda Kenji performs and produces music with vocalist Yo EEA. DJ-1 7's latest scheme seems to be trying to hit it big as. a virtual YouTuber, but he still loves Pokemon!
40
a1
BT OO;
SINCE 2001 LBT001
DITA LBT001/5#4 2002-10-13/12" KKK
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SF BMT mixed by N14 ‘Living thins space sccount of the tie
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WstOSR UNDERAGE DRINK- ERS e.p.
DITA IWWyd
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Drinkers High! ULTIMATE DJ MIX
BATTLE VA. DJAk—LvsDIRA TF 4 AF LBTCD-002/17#4 -/184 2006-1 1-26/CD 2006-03-31/CD-R b aX eXaxexd CL] tok kk CL]
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LBTCDR-006/5#8 2007-06-03/CD-R tO Ik LJ
LBTCDR-007/7#4 2007-10-28/CD-R Ka KKK L]
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VA.
LBTCD-001/15#H 2004-09-18/CD kebkok L
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LBTCDR-005/11 #8 2005-01-29/CD-R KKK L
DIT4
LBTWEB-000/1 #4 2007-01-01/File KKK L]
42
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VA.
LBTCDR-009/8#4 2008-12-13/CD-R
tok tok [)
VA. LBT100/4#8 2008-09-01/12" Kk kK OK
Drinkers High! e.p.
SUPER HAWAIIAN
VA.
LBTCDR-008/7 44 2008-06-14/CD-R
tok kkk 1
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V.A,
LBTCDR-010/9#4 2010-05-05/CD-R kkk ok in
MONDAY MIX
DJ-¢2+PORTASOUNDS -/1 #8 2010-06-03/DVD-R KAKO L
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LBTCDR-012/2#H 2011-05-01/CD-R Kak KS LI
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LBT LBTCDR-013/58H 2011-10-30/DVD-R kk kik
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‘TRF REMIX COMPILATION
TRF HYBER MIX 1000
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TRF HYPER MIX 1000
VA. LBTCDR-011/1388 2010-10-31/CD-R
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Drinkers High! 10
VA. LBTCD-005/24 #4 2011-10-30/CD
KKK LI
ALCOHOLIC TUNES
Wy LBTCD-006/10#4 2012-04-30/CD
KKK {J
LBT 10th Anniversary Compilation!
Drinkers High! 10_
Very Very Much EP
/\f FORVTS LBTWEB-002/4#8 2010-07-16/File Kiki U
NF DRAGONBALL LBT
VA.
LBTCDR-013/1284 2011-05-01/CD-R KAKI L
LBTOIP4¥—F71—25— Remixes
LBT
LBT101/584 2012-03-12/12"
b oakekeke LI
45
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mR aL ya LBTCD-007/13#H 2012-10-31/CD KINI {]
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IWYa LBTCDR-014/684 2012-10-31/CD-R
b akakakeke U
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official Remix Gompila!
EIREMIXZATLZEZL
VA.
LBTCDR-018/11#8 2014-04-27/CD-R KAKO L]
Funky Nuts VA. LBTCDR-016/5#4
2012-06-16/CD-R KKK
NFEYR—IV- SG
DITA LBTWEB-005/9#8 2012-10-31/File KH
DlESB<A™.EP
Maeda Kenji LBTWEB-006/2#4 2013-10-25/File KIKI
serv mr
tomRL’s*: BAHTON +, EP ++, LBTWES-004/31
2012-06-02/File KIN LJ
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LBTCD-008/9#H 2012-10-31/CD KI L]
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TV RESUSCITATION
IMS) LBTCDR-019/7#H 2014-04-27/CD-R Kwok
Ladybeard Justice Fight §2B2CD miRYaLye— ROBO-00001/5#8 2015-02-03/CD Kk
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Wy LBTCDR-024/8#4 2015-04-26/CD-R Kitkik
LEFY—YIAOLR-AS AFAAABR CEASED) Mr. khao phat kung LBTWEB-008/4 #4 2014-02-08/File KN L
Dropout
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2014-01-01/File itotots .
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Various Night EP
kazpulse LBTWEB-009/3#4 2015-02-08/File KKK L]
46
47
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LBTWEB-011/6#8 2015-06-14/File kink O
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ROBO-00002/14EH 2015-10-25/CD kkk U
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LBTCDR-027/8#H 2016-06-05/CD-R
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LBTCDR-028/2#4 2016-10-30/CD-R KH L]
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LBTMIX-001/16#4 2017-03-16/File KI L
LBTCDR-030/9#8 2017-01-21/CD-R KAKI LI
a! > ae f/ wt L
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Candy House EP
DITA LBTWEB-014/2#8 2017-05-04/File KKK L]
DOF NONOKO-001/44 2017-04-30/CD-R KAKI LJ
TEAM PLAY
DITA LBTCDR-026(WEB-013)/S#tH 2016-04-26/CD-R
Kk KK []
(FRSA (SE) efko ECD tS.
KA Te feat. FARES LBTCDR-029/23#4 2016-10-30/CD-R KAKO LI
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48
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Season3
DITA LBTMIX-003/1 944 2017-07-20/File KKH
L
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Maeda Kenji LBTWEB-016/108# 2018-03-19/File KKK
PARTHIAN SHOT
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LBTCDR-035/58H
2018-10-28/CD-R Kk
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Season2
DITA LBTMIX-002/2088 2017-05-16/File KH L]
PAS ms V-ROCKA'S ¥—No.1 Dy7R-AIWDEEA V-ROCKAY7—No.1
AyIR-AIV EEA LBTCDR-034/15#8 2017-11-05/CD-R Kak L
memories
memories
AVEDREBEGRIRS/ 2 Ly S— LBTCDR-032/4 #4 2018-04-29/CD-R
Ka KK L]
PC and MIC Ea mw-002/15#4
2005/CD-R KKK [J
bolfS=ARPAL
UMTICAABA mw-005/15#4 2005/CD-R
» oo. @. ake {J
Robot & Religion
Kkrusty
mw-008/2188 2006/CD-R
kkk ks LI
turns many times
V.A.
mw-001/14#8 2004/CD-R
tok Ok O
Famicom Connection
Sabrepulse mw-004/19#4 2005/CD-R
kkk kk CL]
BABOIT <bEbN mw-007/1688
2006/CD-R KAKKK LJ
june
quarter half mw-003/11#4 2005/CD-R
kkk ks L
My Little Peach
Saskrotch
mw-006/9#4 2005/CD-R
b oO. @. are a
50
UGO|AUPHABET! rem
sce
Hello Alphabet! Chipbreak Wars MEGAMIX -N in ONE- ACRNYM Sabrepulse CbEh
mw-010/17#4 mw-009/17#8 mwmx-001/1#4 2006/CD-R 2006/CD-R 2006/File
kkk ks CI Kaka K Lt Ke L]
XIll For Everlasting Peace @x7EORH Yaporigami Saskrotch johnnyxxx mw-013/1544 mw-012/484 mw-011/1384 2007/CD-R 2007/CD-R 2006/CD-R
tk hs Oo kek Oo ttt L
BUH we a
POP eae heartstrings of 13 CDR REFBA spastic cucumber mw-016/13#4 mw-015/18#8 mw-014/13#8 2008/CD-R 2007/CD-R 2007/CD-R
KAKK OO kkk K* Oo wks L]
51
Fuck Tha Void
Airborne Drumz
mwcd-002/7#4 2011-03-20/CD KN
BOOTY BOOTY
VA.
mwcd-004/17#48
2012-03-01/CD KN
Tia Carat
Shako-Pani
mwcd-006/204
paar
2012-10-08/CD KA
L
LJ
Live piace limitation sale
Brel
-/1 06H
2009-07-04/CD
tok Kk IOk LI
Worshipping Mars Triangle
Airborne Drumz mwdg-001/104 2011-11-01/File Ke L
Live: Very Merry 2012.01/28
sHimaU
-/1 88
2012-03-01/CD-R KAKKK LJ
Megabugs
VA.
mwcd-001/17848 2009-06-03/CD katy LI
Gxchxn
CbEA mwcd-003/178H 2011-03-20/CD wok LI
SECTORSi tt
sHimaU mwcd-005/16#4 2012-03-01/CD b aakekek LJ
52
Sounds of the Plunderground
Graz
mwcd-007/1684 2013-10-05/CD Kk C
No image
Party Party GHz4$88CD Limited Toss
-/7 #8
2014-09-05/CD-R
Kk KS i
BACK TOTHESOLOMON EIR ENR
= OD MBR-001/9#8 2000/CD-R
tk kK LJ
Almost Heaven
Eternal Sunset mwdg-002/12#4 2013-01-29/File » akerarerd
Party Party
Limited Toss mwcd-008/15#8 2014-09-05/CD Ks
No imag
Tia Carat Bonus Disc
Shako-Pani
-/ 4
2012-10-08/CD-R kkk bk a
Sounds of the Plunder- ground Bonus Mix Graz
-/1 #4
2013-10-05/CD-R kkk ks L]
No image
Party Party 29—Vva —F $$32CD
Limited Toss
-/7 4H
2014-09-05/CD-R boo. @. ake L]
BACK TOTHESOLOMON BACK TO THESOLOMON
BoHSER iTS ay FOD ay FOD ay FOD MBR-001/984 MBR-001/9#4 MBR-001/9#4 2000/CD-R 2000/CD-R 2000/CD-R kkk tos i. @.0.0.0%¢ Oo kek LJ
; ie Nall we BE, 5 BE ED
GOD MAN BEAT THE WH (L#) BEAT THE 3X (E#%)
ay FOD ay FOD ty FOD
-/9 fH MBR-003/8E8 MBR-002/788
2002/CD-R 2001/CD-R 2001/CD-R
kkk OO kkk OO kkk t
Karate nerd nol ##F suspicious PROTOONE
person ay FOD ay FOD ay FOD -/4 88 -/4 88 -/4e8 2004/CD-R 2004/CD-R 2003/CD-R
KK Oo kkk Oo kkk L
54
FARR
ay FOD
-/8 8H 2005-07-14/CD-R kkkok
FRR dy FOD
-/4 68 2005-07-14/CD-R KKK
2nd issue
mit Rani -/584 2005/CD-R KAKA
BEAT THE 30 (F#)
BEAT THE 31 (.E#) | BACKTOTHESOLOMON
BARR FARR
ay FOD ay OD
-/7 4 -/9 #4
2005-07-14/CD-R 2005-07-14/CD-R kkk tok OO kkk LJ
2005-07-14/CD-R 2005-07-14/CD-R Ka KOK O KKK L
mit ae ay FOD -/4 (tH -/4 8 2005/CD-R 2005-07-14/CD-R
KAKKS Oo wk kK L]
KILLER
ay FOD
~/13#8
2010/CD-R
tkekiok L
Get anew Weapon
ay FOD
-/4 eH 2007-07-05/CD-R tkbok
L
A-F44A—Yar Vol1
mis ari
-/7 8H
2005/CD-R
tok Ik []
Murder Yacht School
C-TYPEE#EOL —NIL. MRA — FIT) \— Fay ave Yay eBIKUU—A
. SWIMSUIT SQUAD | OFEFELUEIE/ \— KAT Sy DAY J —ATINOUE MADNESS |
DLAI TORS. EEA EDCDIL2008 FEED BABAR CREA CEES. Ele FRAP EI\— RIV ERE CHBRASVIILN FY MeBML TY SH —-F
IVEEBWES. F—-FATV I
CREEL TUS ESO FEAD As GRLEL TE.
Created by C-TYPE, Murder Yacht School eleased a number of hardcore/nerdcore compilations early on. Following the relase of SWIMSUIT SQUAD, MYS has solely been used to release the INOUE MADNESS mix séries. Nearly all of the releases are still available directly from the label. MYS is also-the longest-running Comic Market partici- pant in the hardcore scene. Only nerdcore-related Works are included.
BBs YEA
(black tape)
V.A.
MYST-03/?84 1995?/Cassette
tO In a
BMH VEHA
I lose...
C-TYPE MYST-02/?84 1995?/Cassette tO I
L
BRS VEHA
SPACE POWER-X
C-TYPE
MYST-01/?848 1995?/Cassette
tO Ik LI
56
MURDER REMIX SHOW
V.A.
MYSC-001/10¢H 1997/CD-R
KINI K CL]
GABBA & HARDCORE ATTACK
MENTAL BURST
VA.
MYSC-003/11 #8 1999/CD-R
KH L
HELL,NOT HELL
GINRE MYSC-008/1488 2000/CD-R
KAKI L]
MIND DAMAGE
V.A.
MYST-05/10?8H 1996?/Cassette tot L]
sound track From...
SPEERKENG SOUND TRACK FROM SPEEDKING C-TYPE? MYSC-LIMO1/? #4 1998/CD-R
tok kkk L]
ay hae ane a
a: "j o |
HEDORO PRINCESS
VA.
MYSC-006/1488 2000/CD-R
KKH LJ
(black tape)
VA. MYST-04/?84 1996?/Cassette » oO. 0.0.0.4
SWEET SWEET PAIN
VA.
MYSC-002/1684 1998/CD-R
KIKI L]
GABBA & HARDCORE ATTACK#!
TERROR MACRO
VA.
MYSC-004/1488 1999/CD-R
Kak LI]
he A Tal
@AHy6553578 MYSC-011/104 2002/CD-R KH LI
bene T— Fare wat i Le,
musical harassment vol.0
V.A.
musicalharassment 00000000000/ 8? #4 1999/CD-R
tok In LI
Dai-Oh with DJA—/\—)b—X musicalharassment00000000003/ 6HH 2001-01-01/CD-R KAKKS LJ
FROM POOLSIDE
VA. MYSC-010/17#4 2001/CD KIN
Serena
one for all... remaster version
Dai-Oh
musicalharassment.00000000002/ 9 EH
2000/CD-R Ka KKK
FROM POOLSIDE
VA.
MYSC-010/17#4 2001/CD-R
Kk KIO L]
SWIMSUIT SQUAD
VA.
MYSC-013/2084 2002/CD-R
KK L]
one for all..
Dai-Oh musicalharassment0o000000001/ 1 1 ah 2000-02/CD-R KAKI LJ
58
Bwlte YEA
Active Potential 1
VA.
-/1 084 1995-02/Cassette
tok kk U
Active Potential 4
VA.
-/13#8 1995-06/Cassette
» o.oo. @.4 i
BRsHVEHA
Neural Network vol.1
VA.
NNRCD-001/1284 1996-05/CD
KK KK L]
BwltevVEtA
Active Potential 0
VA.
-/1188 1994-12/Cassette toto Kk a
BRS VEHA
Active Potential 3
VA.
-/1188 1995-04/Cassette toto bk U
Ac oheet tay
Hy Swest Little TYEoy
Active Potential 6 - My Sweet Little TVBoy VA.
-/1484 1996-03/Cassette
tok tok L
Neuro Net Recordings
Devbavey—Yayyy— Al Active Potential OIC —ALKL—AWme, SRLS 1
VE—AyY b Crane BLT UY ELA RATE CECT WEIR T TAL DUERENE LIC LAINVRYRADT7/ BBE DIL GUEST. MActive Potential
#10 [fKTOY LABELEO AID AVES.
Centered around the “Active Potential” series, this label also distributed their works ofiline. NNR featured a Wide range of techno genres, including multiple appearances from Karatechno and Leopaldon Active Potential #10 was a collaboration with TOY LABEL.
BRisH YEA
Active Potential 2 VA. -/1188
1995-03/Cassette tok In [J
BRisH YEA
Active Potential 5
1996-02/2xCassette tO In
Bwlshe YU etA
Active Potential 9
V.A.
-/16H4 1997-01/Cassette toto Ok LI
Mimic YEA
Active Potential 11
VA.
-/1468 1998-02/Cassette
tO In LJ
BRisH YEA
In the 20th Century
bdx
-/6#4
2001-05/CD?
tO Ik a
Bete YEA
Active Potential 8
V.A.
-/1188 1996-09/Cassette took bk LI
BAEP
FZAEP
LAINIVEY
-/44
1997-12/12" KAKKK LI
BRS VEHA
Active Potential 13 - At The End of The 20th Century VA.
-/1264 1999-12/Cassette
tO Ik U]
Bete YEA
Active Potential 7 - DVAZE-bPYEANA V.A.
-/6 8H
1996-06/Cassette
tok tok LI
ie a a Active Potential 10 - BOP VAyxr—-2 V.A.
-/1088 1997-08/Cassette tO Ik a
BRcHVEHA
Active Potential 12 - Traditional Techno and Electro Pop
V.A.
-/9 #4
1998-07/Cassette
tO Iw J
60
61
All Star Blast
V.A.
NFP-001/10¢4 2010-04-10/CD-R KKK L)
@ p Fr wi Via Tokyo Mechanical Rave
Hirojack
NFX-001/15#4 2010-11-26/CD-R KKK L
Anthems
Biochip C. NFree-001/1484 2014-10-13/File KIKI a
Mellow Out Massive
VA.
NF-001/16#4 2010-04-10/CD-R KKK L
Burst Champion
V.A.
NFP-002/1084 2010-09-09/CD-R KKKK U
High-Altitude Euphoria
VA.
NF-003/2084 2013-09-08/2xCD-R KAKKKS L
Core Romance
VA.
NF-002/15#8 2010-09-09/CD-R KKK L]
Regards
Traffic Jammies NFX-002/1888 2011-11-11/2xCD-R
b oo akakd L]
NODE Vol.1 #538CD
VA.
-/3 4 2010-04-25/CD-R
KK KK []
FAST BREAK EP
NACO
NODE002/5#4 2010-11-26/CD-R KKK LI
NODE NODE NODE
DJ VAR—MX NODE005/6#4 2011-01-08/CD-R kkk tcte U
NODE vol.1
VA.
NODE01/14#4 2010-04-25/CD KK []
MEGAMIX
GATT DIG NODE02/2#4 2010-07-17/CD Kk LI
Nonstop “JUKE” Mix
SOUTHSIDE CONSTRUCTION D.J.Fulltono NODE004/1 #4 2010-12-25/CD-R
b oo akard LI
Live At Murder Channel vs NODE 10/04/16 F477TTIG
-/12 548 2010-05-03/CD-R
» oO. @.ak¢ a
Bra A NODE003/6#8 2010-12-14/CD-R KAKI LI
62
. = > rein
i pect
i “ual “Gren, v
aS
eed TF A » VON aauxen FASHION NEWS HEP —AY MLO feat. Traffic Jammies ice G NODE008/4E48 NODE007/6#4 2011-02-19/CD-R 2011-02-04/CD-R kkk Oo kk kK a
Sick Buddha
Limited Toss 45zapping TV NODEO11/5#4 NODE010/3988 2011-04-02/CD-R 2011-03-19/CD-R
Ka KOK OO kkk U
Be A PAYBACK! BASS GO E.P. DJ Tuttle £)65 NODE014/9¢# NODEO13/684 2011-05-14/CD-R 2011-04-30/CD-R tkkiok Oo kkk LJ
AALUP
DJ Beginner NODEO06/184 2011-01-22/CD-R kkk a)
WARSHIP ONLY OF FOOLISHNESS choochoogatagoto NODE009/5#8 2011-03-08/CD-R
Ka KK a
Wr,
—— IN THE HOUSE
NAOROCK NODEO12/18# 2011-04-16/CD-R tkekk LJ
444CAPSULE ODE002/4#h 2011-06-25/CD-R
Kk KIO LI
.\ ) nicoma vaixon Wa
4) NINOTCHKA AKUMADAIKON
NODE018/5#4 2011-08-13/CD-R
kkk a)
InDepth
RHy-s NODE020/6#4 2011-09-24/CD-R
Kak LI
2011-06-11/CD-R
DIE-MANDARA
2011-07-23/CD-R
DEATH OF CHERRY BLOSSOM - A fala
2011-09-10/CD-R
Welcome 2 my dance floor EP Numb’n’dub ODE001/6#H 2011-05-28/CD-R
b Oo axaxd LI
CRIGRL MOTION PICTURE SOURETTRACK MUSIC COMPOSED AND OONOAICTED BY YOSLNE YURMATSL
YOSUKE YUKIMATSO
es:
ON THE ROAD
4ThbaTT
NODE016/1 #8 2011-07-09/CD-R Kk L
Unerfabren Faller@aus Haaren
Raa lale!
Q
U.F-a.H
Traffic Jammies NODE019/5#4 2011-08-27/CD-R kkk ks LI
64
SZ
from dust ixed bp CES
RASHOMON Negative Campaign EP from dust
TAKAAAKI MASOROCK CE$
NODE023/5#8 NODE022/5#8 NODEO21/1#8 2011-11-20/CD-R 2011-10-23/CD-R 2011-10-08/CD-R KKK OK L] Kako OO kw KK L
A
Bass Shitter PANACHE choochoogatagoto T4777 7IG THE CREAMS NODE026/5#4 NODE025/5#4 NODE024/5#4 2012-02-25/CD-R 2012-01-03/CD-R 2011-12-24/CD-R kkk’ MP cos |e. 6.0. 0.ox4 L
' = 3 5 6
woxeo By DJ HORN Booster! Southside Construc- Junglistic Rave tion Vol.2 Uncle Texx D.J.Fulltono DJ HORN NODE029/5#H NODE028/2#4 NODE027/1#4 2012-09-01/CD-R 2012-09-01/CD-R 2012-07-22/CD-R
KKK OK OO kkk Oo wk KKH L]
65
LOY
RAZOR SHARP RAZOR SHARP LET’S UK BASS INTERSEC- TION ie THE CREAMS DJ BEGINNER NODE031/1#4 NODE033/2#4 NODE030/1 #4 2012-12-30/CD-R 2012-12-23/7" 2012-09-22/CD-R kkk L] kk kit L kk kit []
anaueerla
Outtek footwork & smooth XA OPPOSITE HUMAN
RAZA DjKaoru Nakano Y47PIIG
NODE035/7#8 NODE037/28H NODE036/2084
2013-11-30/CD-R 2013-11-21/CD-R 2013-05-25/2xCD
boo. OXaxe {J kKkkK {J KkkK {J
SAEKI SEINGSUKE
FEATURING CYCHE OUTS G Du TUTTLE LIMITED TOSS UNCLE TEx
TECHNOMAN
Hill-256 INGO BEATS CVT —XY ADVANCE
TAKAHASHI ABEL BA F4TPITIG
NODE040/1 #8 NODE039/7#8 NODE038/5#8
2014-06-21/CD-R 2014-04-26/CD-R 2014-02-10/CD-R
KK OT Oo kkk Oo kkk LJ
66
NAOROCK
NODE043/1 #4 2015-06-06/CD-R KAKI C]
First Remix
VA.
Pachimon Trax-002/11#4 2015-10-25/CD-R kkk U
FWreAvAyIAyVwVsEy IR
VA.
Pachimon Trax-004/1284 2017-10-29/CD Kk 1}
fit: as ke
BEOCEIYER NEW MODE
CHEEVIFT—AR BODIL
NODE042/6#4 NODE041/5#4 2015-02-02/CD-R 2014-08-23/CD-R KkK IK OO kk KK LJ
ULTRA Leisure
VA.
Pachimon Trax-001/10#4 2013-04-29/CD-R kkk [J
Eevees bootleg vol.1 REMIX DANCER
Eevees VA. -/7 44 Pachimon Trax-003/108# 2017-06/File 2016-04-24/CD-R
KKK Oo wk KKH LJ
42Sb—-F AALS Lw-Ft
TAQ/tackq pdrc-002/4#4 2005-05-01/CD-R
tk kts L
JASCO
RR-002/9#H 2011-12-31/CD
bo aakeke LI
JASCO
RR-005/31 84 2012-04-30/CD
Ka KK L]
eee)
TAQ/tackq pdrc-001/134H 2004-05-02/CD-R KAKI
strawberry cheese cracker AYTIVINYEA-R RR-004/14 64 2012-04-30/CD DO. 8. oxen
PELETLIABLEXN [190BPM DEMO MIX] TAQ/tackq pdrc-002.5/1 #8 2006-4-29/CD-R
Kk tbs 1 |
WEI 4255 se
7 4 RAEI LA RR-003/16#4 2011-12-31/CD Kkkk i |
68
69
LANDING CLASH LANDING CLASH THE ESSENTIAL
LIMITED ENJO-G ROA MISSILE CHEWBACCA MISSILE CHEWBACCA Enjo-G
RR-007-3/10¢8 RR-007/10¢8 RR-006/11 #4 2012-10-28/CD-R 2012-10-28/CD+DVD 2012-04-30/CD KAKKS OO wkkeKK OO kkk L
SH-TFLOHTIE
RF VA.
RFM-01/7#H RRR-001/9H8 2001-02/CD-R 2013-04-29/CD-R Kb KS O tok bt L]
No image
Nymphet Stretch
RF RF RF RFS-02/10848 RFM-02/1 044 RFS-01/1084 2001-08/CD-R 2001-08/CD-R 2001-04/CD-R
KAKKK OO kkk kK* Oo wks L]
Beles YEA Bikise RA Clover Loling Thunder RF RF RFM-04/? #4 RFM-03/?84 2002-04/CD-R 2002-01/CD-R KAKI OO kk kwK*
q
Chev hard
>
Ger hard
zz Ry
Go for nothing RF RF RFS-05/?#4 RFM-05/?#8 2002-12-30/CD-R 2002-10/CD-R » @.0.@ 8X4 Oo keke
L
L
PainKiller
RF
RFS-03/12#8 2001-12-30/CD-R KKK []
RF
RFS-04/?4H 2002-08-11/CD-R Kk L
70
RISK SYSTEM
Tanikugu®Sigarami+=t€ (7?) OL —N IL, [Family AscensionJ7U—Alk 77 SIVAZC MOVERS F Y TF A—VAVIYF IVD XY, [Family Ascension MANHOLE (a38sn Pb ic GRVELEAWA (AY TU Y) BREHELTOET. RSD-008(42018FFRTERE.
Though unclear, most evidence polite to RISK SYSTEM being run by
Sigarami of Tanikugu. Along with the Family Ascension series of NES game
71
remixes, the label mainly releases chiptune works. Family Ascension MAN- HOLE was never officially released, but the contents do exist. As of 2018,
RSD-008 was skipped over and does not exist.
Family Ascension V3 GREASE
VA. Tanikugu VA.
RSD-003-004/25 #8 RSD-002/6#H RSD-001/10#H 2003/2xCD 2003/CD-R 2002/CD
KR OK OO kk kkr ON xeon L
OVER THE POP Bone xZrI7rhL Tanikugu-+Jaermulk Manhattan Jaermulk Manhattan Tanikugu
RSD-007/9H4 RSD-006/178H RSD-005/118H 2006/CD 2005/CD 2004/CD
bo aakekd | bo aakakd LJ bo aakekd Lt
MIDINIZE II MIDINIZE Family Ascension
MANHOLE VA. VA. VA. RSD-010/11#4 RSD-009/12#H -/36 8H 2015-12-31/CD 2014-12-29/CD Unreleased KKK OO wk O kkk L]
i
MIDINIZE 3 F555
V.A. Tanikugu RSD-012/15#H RSD-011/7#8 2017-12-29/CD 2015-12-31/CD Kk CL] KAKI L
No image
RTS-02 | Attack Big Chance R.T.S. | R.T.S.
RTS-002/2#4 RTS-001/2#4 2016-12-31/CD-R 2011-12-31/CD-R
KAKKS O kkk L]
Te
73
SHARPNELSOUND
OAT Y TUAYHEEK / Project Gabbangelion era
19964F8A4A (MBicl/\—FAV OR IEMENS 8ASAO—ABi) cI AIP VFUAY st (Project Gabbangelion) DHReEENE LZ. BHOBRS A/V) HILOPYTUAY ICS. IEA, Tanigon, Vicson D= AC tracker AOV DT hE HoH AIN-IN\N—FAPOF-LELTHE ENE LK. ROU -AHEA leP7yY¥FO—F ENTE SEA DFO FOUHAIEWS LOAF OIWEDSOE YIYFLET IO CRUIDYY PUY 7 CheESILOLIT-OUTJEWSAIVGL Teo JEA STORRS ES EDIFICE DIED, 1996 EPALCAROOT YY CHES Nie F—-V—AW kh vs BY FIVE LIT EWS TAY ECPI EANDEETHCED COS RHERLEODEDIIDESCT.
On August 4, 1996 (one day before August 5, now known as The Day of Hardcore), AY PY FUAY HE (Gabbangelion Keikaku, AKA Project Gabbangelion) was founded. The name, as you may have guessed, is a combi- nation of "gabber" and "Evangelion". Formed by JEA, Tanigon, and Vicson, Project Gabbangelion was created as a team making gabber and hardcore music with tracker software. The first track was released the same day the group was founded: a gabber track from JEA called "LOL-IT-OUT" which featured sampling from an eroge called "OFM {t#84" (Onna no Ko no Shikumi). JEA’s interest in making music like this originated after attending GAMERS NIGHT vs ROTTERDAM NIGHT, a game-music-and-gabber event in Osaka where other artists were already playing anime-infused gabber and hardcore music.
AVIN—D 3AERTINICHELED TERY KCARILD OI, 1997 2A lclt DP—-AbTVIV/NLSYONDER DOME -S 4 ECS IEFHEBLELTE. T ClCC ORR CHNICEUAZAT—-BOKKS CPS, 1997£9F 19Alcldé,. OBICF— FIV OW she mote NY kT SPEEDKING| OS 1 EIDBERO Cafe Blue CHIEENC AD PY TUAVHEEHBLED CS. (M51 TDMLAAA)
All three members continued making tracks at a rigorous pace, and in February of 1997, their first aloum "YONDER DOME -5ailt)-" was released. Even at this early stage, Project Gabbangelion already had listeners from outside of Japan. On September 19, 1997, Project Gabbangelion performed at the first iteration of SPEEDKING, an event that would go onto become a cornerstone of the nerdcore movement. (It's not clear if this was their first live performance.)
19985E5A 29H clk, X//\— ORE ESS IEA DAB DS RR ANEW) 1c KY. AVIN—PBHHICBoKKED BIPY SUA Yat BlahemLE Lic. Vicson (LZ OER, BREAD OMNECKES CTIFE Tanigon ld RICCI CAR CBR SSHERIS CUES.
Project Gabbangelion was disbanded on May 29, 1998, mainly due to the members growing apart both musically and location-wise (JEA moved from Osaka to Tokyo). Vicson's further musical activities, if any, are unknown, but Tanigon is still an active producer under the same alias to this day.
O@aRE RY » —TAIVES / High Speed Music Team Sharpnel era
BAO 5A30Alcld IEA DI -FARIVIEWDPAFOVIT he RSBLEL te. (CORR Clk ETSHARPNELSOUND] Gld7KU), ) P77 — FAIL | BRIE ILAINIVEVIERIE ES CORY ROIEOBBTIT LEEDS TER RIVA Da-[V—lEH CSSA YRIROVOlY yy -TFAIVIPEED. BOD OYT Sharpnel| (737A @Shrapnel] Cid <7) AY vy - PENS ERS RRLT IT 5BHEED CT. CEOHE 6A20ICS : FTIS—-SOMASH, Ay bea SS REAR vy —7 IVI (High Speed Music Team Sharpnel) (CAUELTE.
The following day, May 30, JEA began a new project known at the time as simply "7-7-7" (Sharpnel) - not yet SHARPNELSOUND. The name "Sharpnel", similar to that of Leopaldon, was taken from a giant robot, specifically the Insecticon "Shrapnel" from Transformers. The changed spelling is intentional, to add the English word "sharp" into the mix. Soon after, on June 20, another musician known as 3+47 7 3—Z (La-Quebrata) joined and together with JEA formed the new unit "SiR BRS vy — TAIL" (High Speed Music Team Sharpnel).
pea rae. k77JV/\ Ls SRPC-0001! Sharpnel vs Project Gabbangelion D7 A25 Alchiteé 7c! B20) SPEEDKING] (FAG REAR) CU Ty helt
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Later that year, the first Sharpnel CD, SRPC-0001 "Sharpnel vs Project Gabbangelion", had a preview display of its artwork at the second SPEED- KING event (held at FAt;RE4##32 on July 25), and was released at Sega Hardcore Generation on July 30 at Shinjuku CODE. The CD's first customer, having seen the artwork previously at SPEEDKING, was BAL’-=f (Lemmy Miyauchi; not her real name).
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That same Lemmy Miyauchi, as well as gabber DJ #/) 88427 Junkyuu Ayanokouji) and La-Quebrata's twin brother, using the alias 775 k—-F (Quebradora), joined High Speed Music Team Sharpnel on August 9, complet- ing the full 5-member line up. Lemmy was named as the leader. At Comic Market 54 on August 15, SRPC-0001 was sold and all 100 copies "nearly" sold out. High Speed Music Team Sharpnel's first live was later that same month at an event called WONDERLAND, with only JEA and Quebradora appearing. The second Arcade Attack event, on September 18, saw the first full- member High Speed Music Team Sharpnel performance. At the follow-up third Arcade Attack on October 16, JEA and MC #&/J \B822's unit "GABBA-EATER" had their first live as well.
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After sales of SRPC-0001 at Comic Market 54, a new SRPC series CD was released at almost every subsequent Comiket. However, SRPC-0002 FIVE F (Double Dutch) was released not at Comiket but rather at the Fall 1998 M3, held on September 20, 1998. After the event ended, though, Sharpnel's members exchanged with each other dissastisfaction with the musical direc- tion the release took, and agreed to strike the album from the catalog. As a result, there are only 40 copies of the aloum in existence - the original masters were even lost.
IqSv9V—7vbk 551) COMVSPRC-0003IOUU—AKB FIV AY /\— CHiBL 7<1383[E] SPEEDKING| GRA BRE) OHESCNELE. TOTNYEADTOTF AYDIXINY Nol.23IOF— FIV BRED BRENT — RIP P—-LDBEVE Lt. A=vya7V—Fy b 56) CHEE ANTE SRPC-0004 CLAM DINT —F 4A hOB (NIVE—OD BHP Ic kU [Fabeltje| CUS 79/ \#a) DHVELTE. CLG SRPC-0004 OUU—ADSldFBEISYIN—TYEC CD-R RD HBEN CBHECTLAMRDRRBENSEYSHOUU-AZANS-VERVELKE.
SPRC-0003 was released soon after at Comiket 55, which was then followed by a full-member Sharpnel performance at the third SPEEDKING event, held at 424 tRE. That event was the basis for the nerdcore feature in Quick Japan Vol.23. SRPC-0004, released at Comiket 56, was the first of many CDs to feature a guest track from an overseas artist, specificall "Fabeltje" from Belgian artist BHP. Additionally, beginning with SRPC-0004, almost all CDs in the SRPC series were sold as an initial CDr version at Comiket, with a pressed version (sometimes with tracklist adjustments) being released a few weeks or months later.
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19992F 1211 Biche é 17e! Slammin’ Vol.2) (7NAN7R LEONS BAR) G4 ZV ITVYE DPS tele! DI Sharpnel | EWS LBABE LE Lie. 2000 FISAGACBAR Cae tilt CHU. (EEBA IED OD1P7eTEL,S DSy7<—7 yk 571 Ele) 581°C SRPC-0005 & SRPC-0006 @YU—ALEL | fe. ZOD 12A2HIciA#KSD clubasia C1 B3Bl I-V/ 4 RAAT RHEE C, IRE ¢ —TAIWISI AT FR LE LI. ELC RHC DPITIAY DS ERAT? Y TUAY EL CRIBLE Le. SNL! BR #aldD) BIT CLCEMLCWOETD, 3-7 FII—-ZETIDE-Fld HG HeLTEWEICS.
For a DJ set at Slammin’ Vol.2, December 11, 1999 at Roppongi LEONS BAR, the new alias "DJ Sharpnel" was created and used for the first time. 2000 continued as usual, with live appearances multiple times per month, and SRPC-0005 and SRPC-0006 being released at Comikets 57 and 58, _ respectively. On December 2 of that year, the third and final -—YV/ 7 FR 7—Y (Humanoid Typhoon) event was held. High Speed Music Team ; Sharpnel disbanded following their live performance at this event. #&/] B82 & now performs as DJ #447; La-Quebrata and Quebradora appear to no longer be active musically.
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Simultaneously with High Speed Music Team Sharpnel disbanding and Gabbangelion returning as Neon Genesis Gabbangelion, the label SHARP- NELSOUND replaced the musical group Sharpnel. However, Neon Genesis Gabbangelion only put out one album, SRPC-0007 GENESIS:0 at Comiket 59, before ending again, and the main unit of SHARPNELSOUND became DJ Sharpnel, formed by just JEA and Lemmy. Beginning with SRPC-0008 S.E.X. -Sound Of EXtreme-, released at Comiket 60, almost all future SRPC series releases would be under the DJ Sharpnel name.
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HYPERRICH PULSE (LAST) at FAt3R 4838 on June 9, 2001, was the first live appearance of JEA's solo speedcore project Killingscum, which he would continue to use sporadically for musical production as well. Additionally, between 2001 and 2003, there were some live performances by "DJ Sharpnel + iDollSpirits", a group formed by JEA & Lemmy's DJ Sharpnel being joined by a team of idols.
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Sharpnel's first overseas performance was on November 1, 2001, in Hong Kong for the beauty:beast tour at stix. On March 1, 2002, the Sharpnel-orga- nized event OTAKUSPEEDVIBE was held at Ebisu MILK. Alongside performanc- es from DJ JEA and iDollSpirits, there was also a special appearance from Neon Genesis Gabbangelion.
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TM3-2002 # | lclé SHARPNELSOUND ® SRPC-LID 1 2 YAY U-ADIBED T. The Speed Freak D=yv7ACDA3WMHBENELTE. FLT AlCl DUTY AYVINI— |G! What A Happy Life And Death} BGM (ERGHREEa Ly — FARIVISBIFTETECJEA & Lemmy (CKEO#I—y bI Cotton Pantie's | De ENE. EO MRL! What A Happy Life And DeathhEMSMOVy—-TFR IVSEEAUIFIVIEROD CD ERVELTE. AAIS/\—- FIP Cle CY AO YTHOVF EEO TOES. IF 9Alclé Cotton Pantie's CLECATEAT A—VE=PTIVINLI My Sweet Honey Biscuit AXE NELEAD, ZNZHO T Cotton Pantie's AROBHdE TS EGVEL.
The Spring 2002 M3 saw the first releases of the SRPC-L license series: three mix CDs from The Speed Freak. Later that year, in July, design company FuriFuri commissioned Sharpnel to create BGM for their exhibition "What A Happy Life And Death", for which they created a new alias: "Cotton Pantie's". The result of that request, a CD also called What A Happy Life And Death, was Sharpnel's first 100% original production. Rather than hardcore, the music of Cotton Pantie's isa much more poppy, jazz-rock sound. Two months later, in September, came the second and final Cotton Pantie's release: My Sweet Honey Biscuit, a mini-album dedicated to unofficial KFC mascot Bisuke-tan.
10A 188 lclé!OTAKUSPEEDVIBE Vol.2) Dal CRILAO MILK CiTDNE Lie. TT Clk Project Gabbangelion OBRERIAT TT EEC. TYONDER DOME -5aiBll€CB)- | DHX FIR Cé5S SRPC-0011! Early Style Of Otakuspeedvibe 19961998 | DEBE NE Lie. 2002EROIISYIY—Tybk 631 Slt SRPC-0012! PPPH!| &, SHARPNELSOUND ®I'SRPC-MjMix CD YU—A*28Ca) Bec 3850 CTE LIE, 200348AOl ASyvIe—Tybk 64) CVU -AEN TE SRPC-0013!77= X79/\ k -Anime Gabba It!-]/cld, !Torinouta (The Speed- freak's Noise Rave Remix) |DUNEREN CHES. EOHMA—Oy/\ Ce EN THE SRIRA TDL LT LEU HERCL CTL AREER CHO fe SRPC-0013 DAese FIL, elt C SRPC-0001 45 SRPC-0012 KCOLTOCER DBE Ci CLEWR LIC. LC BRO! AS yIN—7 Yb 651 4CT SHARP- NELSOUND 41 77)L/ \ Lifts '5 YEARS OF THE SHARPNELSOUND 1998-2003 ID 3#FELERVELT.
On Ocotber 18, 2002, Sharpnel returned to Ebisu MILK for OTAKUSPEED- VIBE Vol.2. A limited reappearance of Project Gabbangelion accompanied the re-release of YONDER DOME Seige as SRPC-0011 eae Style Of Otakuspeedvibe 1996-1998. At Comiket 63, SRPC-0012 PPPH! and the first two entries in the SRPC-M mix CD series were released. The following Comic Market is where SRPC-0013 7”7= X73/\- k -Anime Gabba It!-came out, and one of the tracks on it was my introduction to the world of Japanese electronic music: Torinouta (The Speedfreak's Noise Rave Remix). (Fun fact: that album title is actually a double entendre - it can be read as "Anime Gabba It", or "Animegabyte"!) Soon after, that same track saw widespread release on a few European labels, which eventually became the cause of some legal trouble which led to SRPC-0013, as well as 0001~0012 being removed from sale permanantly. Making the most of a difficult situation, at Comiket 65 Sharpnel took advantage of this break in music releases to put out their first comprehensive SHARPNELSOUND book: 5 YEARS OF THE SHARPNELSOUND 1998-2003.
Ultimate Speed Beatz SHARPNELSOUND
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While they did have a few overseas listeners beginning all the way back in 1996, from 2004 is when SHARPNELSOUND started gaining significant amounts of recognition outside of Japan. At the end of 2003, they started HARDRAVE.JP, a 24-hour online radio paying only Sharpnel tracks, which
also had its own English BBS. The HARDRAVE.JP radio was promoted on major hardcore site HappyHardcore.com in early 2004, and the positive reaction led the site to hold the first official overseas sales of SHARPNEL- SOUND music: specifically a preorder for the best-of CD SRPC-0015 Sharp- nelsound Collection, released at Spring 2004 M3.
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5lkTGUHROOVY|®!IHARDRAVE STOREJE WS #8 iE EA DBE SCEEHIEBOTOED, StepMania simfile *P FlashFlashRevolution |cdS5U* CT, 2005S FIBLVY YY y —FAIVORAEARLEST ES IBA TUT. TOBIN 450 CBADUAT—DASNBALOD ClERVDERWVES. B64AAR8 éELCBT-OBMREE Chime RVUELTL, YouTube CHAD IP YD AW) P2Y ARE YFO—-FLEVELTOET.
Preorders for new Sharpnel releases continued on HappyHardcore.com from 2003 through 2005, after which new CDs began to instead be stocked on sites like California's Dr. Freeclouds and Sector-1 in The Netherlands, making Sharpnel music available all around the world. 2005 also saw the establishment of the HARDRAVE STORE, a still-active, worldwide-aimed offshot of Japanese hardcore music shop GUHROOVY. It's also around this time that Sharpnel began to appear frequently in StepMania simfile packs as well as in the sister Flash game FlashFlashRevolution. This was likely one of the biggest sources of new overseas listeners. Of course, as a fairly popular artist, there were many Sharpnel-related message board discussions in English, as well as foreign fans making Sharpnel AMVs and dance videos.
Kike, RBAOY vy -—TARIVIPY Ke blS BASED CESADIER ICD IZ ted, BASSO MBLC HEI RULELE. REAM yp -FAIWS TAL DOEWED JEA IEZCHETEED., BE SRPC-0004 O24 b/VA BSR Y —|VDORUYCRUTE! Attack The Sharp FlannellESATORUBELELK. E UT, SHARPNELSOUND ® CD [cAd TUS 2K HHIt ET DJ Sharpnel DERRL Ze BEDE IDEBDIE TI. EB, (IT AVIEX1 F [C-Type MIX]JO) F C-Type|DBA7—-F4AbZCltEC CV EYIAREAIVOBMIEEBOTW EMEADEWELTE.
One interesting thing to examine is the garbled information and misunder- standings that arose as a result of little-to-no official English information about SHARPNELSOUND being available, and few of the non-Japanese fans being able to understand Japanese. There were often arguments about just how many people made up DJ Sharpnel, or about whether JEA was the guy and Lemmy the girl, or the other way around. There has also been a long-standing mis-traslation of SRPC-0004 ("Attack The Sharpnel")'s title as "Attack The Sharp Flannel", presumably an auto-translation tool error. Anoth- er common misconception was the tendency of many fans to simply label all songs on all SHARPNELSOUND CDs as being by "DJ Sharpnel". One more fun thing | remember seeing is some people thinking the "C-Type" in "I'm A Maid (C-Type Remix)" referred to a certain style of remixing, rather than to the name of an artist.
2005 clk D1 Fi CU —I—TIVRHVE LTE. JEA & DJG Lemmy 4 VJ F824 O91 TPIT IV—ZISHARPNEL.NETJE WS 4DYVESN, IDI Sharpnel | (SLAB JEA (IA DF 1 FAOLBCEVELTC, HEC! DJ DOLL'S RENAISSANCE & O°! BF + 3K IE COVED EBD HESNEC FE 2017EK Cla LORIE CO TED REE Lice
In 2005 Sharpnel made some significant adjustments to their live perfor- mance methods. A new name, SHARPNEL.NET, was created exclusively for live appearances with JEA as DJ and Lemmy as VJ. Gigs with JEA solo would continue to be done under the DJ Sharpnel name. They continued to create one-off aliases like "DJ DOLL'S RENAISSANCE" and "33-F--+ —3K35" (12 Male Musicians) for music production, but live appearances continued in the above-described manner until 2017.
20088A Ol ASv7N—7 yk 661 CHEN TE SRPC-0016! fB/ \— KOVT) IN-BEIL 171 SId, BEBE Te SRPC-0013 Lai CRICS A PiIvI Ns Y—-ALES. Bld. SRPC-0015 D DJ Sharpnel XZ FOwTEE hRELT SRPC-0018 BADPYTUAYBHOIP—-ARVIVINLOZ 4 IVS CofelYonderdome - The ae are Of Sharpnelsound 1-7 EWS Ame U, 4B SRPC-0001 5 SRPC-0007 M3K He (Eo fe Mix CD EVEL.
After some time away, SHARPNELSOUND returned to heavily anime-influ- enced CD releases in August of 2004 with SRPC-0016 tH3/\— k (Ko 7) /\—EPUL-47 (Bewitching Hardbreak) at Comiket 66. As a companion to the DJ Sharpnel best-of SRPC-0015, SRPC-0018 Yonderdome - The Megamixxx Of Sharpnelsound 1-7! borrowed its name from the very first toed Gabbangelion release, and as the title describes took the form of a nonstop mix of 30+ tracks from the first 7 SHARPNELSOUND CDs.
SHARPNELSOUNDOY 47 ybkKTFARKL-hOX1 VIBSAT null500) SRPC-0008,9,12,13,15,17,24,26) , [BLADE] (SRPC-0016,18,19,20), LT! Yam4 (SRPC-0021,23,29) D 3A. Bate Cla 3A ICBART IAL —-2—Ilc OCU RG. AaB TOPE CTD SHO null500 ide] AD —7/) BARRIO EECH OC Mild! AA Oat. TUCAC< ST — PAL NY RIAN ATIVINYA-AZIDAVIN—CBHoIE Yam MRI RT EVA FON TY TPA VE EVHEDI THEY, Efe BLADE BAA ROMAMERITED TOES.
Another important thing to mention is the various illustrators SHARPNEL- SOUND has recruited for their releases. The three most common artists, null500 (SRPC-0008,9,12,13,15,17,24,26), BLADE (SRPC-0016,18,19,20), and Yam (SRPC-0021,23,29), have all since become very successful in their own right. null500 was at the time the leader of BAEIR, and is currently vice-president of extremely successful apparel brand Cospa. Yam was also previously active in the nerdcore scene as a member of Smile Hunters, and is currently one of the official illustrators for the Pokemon Trading Card Game. BLADE has also become a very prolific doujin artist!
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DJ Sharpnel's first US appearance was on May 16, 2009, at El SADISTICO ENTERTAINMENT Presents:SYSTeM HARDCORe in Los Angeles, alongside other hardcore artists such as Lenny Dee. The next year, DJ Sharpnel played at both Sakura-con in Seattle as well as Anime Central in Chicago, the first of many anime convention bookings.
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From 2011 onward, Sharpnel's overseas appearances increased, and the usual CD release schedule continued. At the end of 2011, a sequel to the Yonderdome mix CD, SPRC-0028 Yonderdome Decade was released. Soon after, in August of 2013, SRPC-0030 OTAKUSPEEDVIBE was released as the final entry in the SRPC series. A month later, OTAKUSPEEDVIBE returned for the first time in 11 years, with OTAKUSPEEDVIBE RELOADED held at Shibuya amate-raxi. Beginning with this event, SHARPNELSOUND shifted its focus to a new up-and-coming genre: hardtek. 2014 saw the beginning of the SRPD series, which mainly featured hardtek compilation CDs. Not completely shedding their roots, however, SHARPNELSOUND also created the SRPX series: bonus CDr releases which continued to compile DJ Sharpnel's anime-influenced tracks.
SRPC YU—RART (cob FED T, FM3-2015 JCC SHARPNELSOUND77J/ Vs ASA SS — BY SHARPNELSOUND CHRONICLEID#ESEECRNE LE. AED 8A29 AlctkFOTAKUSPEEDVIBE RELOADED 2.0 0‘3#24 GARRET/CYCLONE GRHE& NEL.
With the SRPC series having concluded, the second SHARPNELSOUND book SHARPNELSOUND CHRONICLE was released at the Spring 2015 M3. Also in 2015, on August 29, was a further OTAKUSPEEDVIBE event: OTAKUSPEEDVIBE RELOADED 2.0 at Shibuya GARRET/CYCLONE.
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DJ C-TYPE OSVC-0001/1 #4 2002-03/CD-R KAKI L]
Noisecore Vol. 01
The Speed Freak SRPC-LO03/1 #4 2002-03-01/CD-R kkk L]
SPEEDCORE DANDY
midy
SRPC-LO05/12#4 2002-08-11/CD-R KAKKS L]
HARDSTYLE 4DA FIRSTTIME
DJ JEA SRPC-M001/18#8 2002-12-30/2xCD-R KAKI 1
OEARRPNEL
PPPH! -Phat, Pinky, Powerful & Hard!!- DJ Sharpnel SRPC-0012/12#4 2003/CD
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DJ Sharpnel & V.A. SRPC-0013/1684 2003-08-17/CD-R
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GARLY STYLE OF OTAKUSPEEOVIE: 19961898
Early Style Of Otakus- peedvibe 1996—1998 Project Gabbangelion SRPC-0011/15 #4
2002-10-18/CD Kk L]
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PPPH! -Phat, Pinky, Powerful & Hard!!- DJ Sharpnel SRPC-0012/12#4 2002-12-30/CD-R kkk kk CL]
HARDSTYLE TOKYO NIGHT CRUISING
DJ TOKYO SRPC-M003/1484 2003-05-05/CD-R KAKI L]
es + My Sweet Honey, ¢ Bisouis!
‘GOTTON PANTIE’ 6 4:
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My Sweet Honey Biscuit!
Cotton Pantie’s SRPC-C002/5 #4 2002-09/CD-R
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NOW OR NEVER
DJ CHUCKY SRPC-M002/13#4 2002-12-30/CD-R KAKI L |
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CIFE IS GAME:
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LIFE IS GAME
DJ Sharpnel feat. DJ JEA SRPC-H001/7#4 2003-05-05/CD-R Kkk kK L]
86
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GABBA IT!- killingscum killingscum DJ Sharpnel & V.A. SRPK-0001/9#4 SRPC-0014/1444 SRPC-0013/15#4 2004/CD-R 2003-12-30/CD-R 2003/CD Kk KK a Kk ko L] Kak L aa Bian EUAN My ieiet SHARPNELSOUND RERBALR REMEAKLE COLLECTION & VA. m1dy vs killingscum m1dy vs killingscum SRPC-0015/1588 SRPK-0002/10#8 SRPK-0002/1088 2004-05-02/CD 2004/CD 2004-05-02/CD-R KKK CL KAR L] Kk kk L
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COLLECTION & DJ Sharpnel & V.A. DJ Sharpnel & V.A. VA. SRPC-0016/138# SRPC-0016/138H SRPC-0015/15## 2004/CD 2004-08-17/CD-R 2004/CD
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Harddrive 150 BPM - Life Is Game Volume 2.0
SRPC-H002/15 #4
DJ Sharpnel & V.A. SRPC-0019/12#H
Brain Violation. fi
DJ Sharpnel & V.A. SRPC-0020/15#4
UG>PSYCLONE DJ Sharpnel & V.A. DJ Sharpnel & V.A. SRPC-0017/15#4 SRPC-0017/1684 2005/CD 2004-12-30/CD-R Kk L] Kk kK CL]
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Brain Violation. Siz aR
DJ Sharpnel & V.A. DJ Yousuke SRPC-0020/15#8 SRPC-M004/25 #4 2006-08-13/CD-R 2006-08-13/CD
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The Speed Freak DJ Sharpnel & V.A. DJ Sharpnel & V.A. SRPC-LO06/1 #4 SRPC-0021/13#4 SRPC-0021/13#4 2007-12-31/CD 2007/CD 2006-12-31/CD-R
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DJ Sharpnel & V.A. DJ Sharpnel & V.A. Biochip C. SRPC-0022/13#8 SRPC-0022/13#4 SRPC-LOO7/26#84 2008/CD 2007-12-31/CD-R 2007-12-31/CD kk LI Kak L] Kk i |
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DJ Sharpnel DJ Sharpnel DJ Sharpnel SRPC-0028/508H SRPE-0002/6#H SRPC-0027/15#4 2011-12-31/CD 2011-10-30/CD 2011-08-13/2xCD
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SRPD-0001/26#H SRPC-0030/12#8
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SRPB-0002/3288 2015-04-25/CD-R
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SRPD-0004/9#4 SRPX-0003/13#H SRPD-0003/13#H 2015-08-02/CD 2015-05-23/CD-R 2015-04-27/CD ttt Okeke bak Oo kk im
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DupleX EP THE FUTURE SOUND THE SENTENCE OF RETRO Vol. 1 JAP4N EDITION SITAIV VA. FANT4STIK SRPD-0010/4#4 SRPD-0009/13#4 SRPD-0008/8 #4 2015-12-31/CD 2015-12-31/CD 2015-12-31/CD
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Mini-Interview with JEA
Q: YEH (19962F D'S 2002) OF — FAV Y—VESIRVIFT. EDESEBUDSVETD. What thoughts and feelings do you have now, looking back on the "nerdcore" scene (from 1996~2002)?
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The first thing that comes to mind looking back on that period is that everything was simply a lot of fun. As most of us were still students, we had the freedom to explore any ideas we had as little or as much as we wanted, and to pour all of our energy into our musical output. Thanks to ISDN making the internet an increasingly viable tool for communication, we also got an early taste of things like groupwatching anime with online friends and making music at the same time.
IF-FAPY—VIEWSDIEBODALTHISEA CREML TUE KC, Mh BISEIC/\—FAVY —YO—RBELTABL TU TEL, FIC 1EID SPEEDKING DHE—F— FATT AY b CL.
| don't necessarily particularly have any feelings about the "nerdcore scene" - we more just thought of ourselves as one part of the hardcore scene, and "nerdcore" was just the SPEEDKING events held twice a year.
Quick Japan OHS CHFICT— FIV (CAF AS 1 AEN CBB CEKASLYSZERBOET LBP LET CTHRLERAZKEIFRZEU YI Cd ED felt HE, 4 BF SPEEDKING EDV (CUTE AR BOROMBEIECKEMRI NESE EBUET. ESD CTYPE BRE CS 4a, 1998 SER, RRB ARY bAIBU CREDA DT AWGREY ID SPEEDKING 7) LD—O 1A DYHAO RINE, CDK TSA PYIY FOF IVEAA ADR LE SERA DES CRAFT ITEDEAKEEBWES.
I'm sure there were a number of people who didn't quite feel right being categorized as "nerdcore" after the Quick Japan feature, and it was far from a be-all, end-all term. That being said, it was a useful way to describe the unique enthusiasm shared by in and around SPEEDKING. We've got Principal C-TYPE to thank for that.
1990 DZ RRE LT MD STAT LYS ANEW DRRIRE ESL COMEDY, Ary bDS BEE CESLIICE CAS 1-7 —Yay OF, BERD AY DS AMBLLY ZIV CO DJ (NYROIN—Y FFF Al, 7 —N—1\— OBR PERRET —Y ANCE M3 DIS CESE ERE. SLIP Lemle UTHOPS ADAP HAW Cle BENKOKERADHIC FIVSRCS F-PAPREENKAREBWE S12.
What went around in the late 90s was a shift from hardware to software, a shift to communication on the internet, a shift from club-sponsored events to parties thrown by people. Lots of people making zines, Gamers opening in Akihabara, the first M3 - at the turn of the millenium, the world was very open to free creativity, and | think "nerdcore" was born from that.
ENECEAT VETO, WRB CE OBR CKED DI EBINTCIR AT TICDOA HS 7OVICOSABEEICT =X DFE CANDY EC 1980171 FLD ED TU3~” IC BR CHLCEDE RC MERE L Chal cil CORED LE LIE.
Before that point, | think there was a large, unspoken gap between the stage and the dancefloor, performers and partygoers, but with everyone on both sides liking the same anime, liking gabber and 80's pop stars, it made for a much more communal and welcoming environment.
QUAM TT. FECORRAMC-ERPOKMRSIITIO. What is your personal proudest achievement through music?
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Being able to travel all over the world, and meet people familiar with our work. This goes for both Japan and overseas, but if someone likes our music, chances are they're going to be someone we'll get along with, so it's great to be able to share a drink and chat with them. One of my most memorable experiences was at a performance in Finland, where a fan of 10+ years had come all the way from Russia - getting to be a part of the culmination of so much time and distance traveled was wonderful. The idea that my music can reach people in places I've never heard of and could never dream of is deeply inspiring.
2017-12-26
Speedking Productions
SPEEDKING PRODUCTIONS
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Speedking Productions was established by BUBBLE-B, and also functions as somewhat of a successor to TOY LABEL. Speeding Productions previously hosted the podcast “BUBBLE-B-EXFA@SPEEDKING RADIO", and currently hosts “ BUBBLE-B + midy MD TH, BAK TD?” The label is the current incarnation of the SPEEDKING event series, and occasionally holds evnts using that name.
J-DERTH TECHNO COMPILATION SERIES
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SPEEDKING Vol.4
VA.
SPKO7/13#8 2011-08-13/CD KK L
SPEEDKING MEGAMIX VA.
-/30f4 2012-04-30/CD-R KAKO L]
SPEEDKING Vol.5
2012-11-21/2xCD
HBvUIVIZoOR=JW
SPEEDKING Vol.3
VA.
SPKO5/18#8 2010-08-25/2xCD KIS CL]
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2011-08-13/CD KAKI L]
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V.A. SPK10/95 2013-12-31/CD KKK L]
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Stereo Records
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RECORDS
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A project started by lan to re-release the works of Cycheouts, God OD, Traffic Jammies, and more digitally. Stereo Records also began putting out new releases in 2018. The “Stereo Records” name was previously used for a mastering service offered by Cycheouts.
ANIMETRO
Basick O-DIMATION Vol.1 Animetro 4th Anni- versary 3H
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STCG-001/7#4 STGD-001/8#8 STCG-001/1#8
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TOY LABEL
TOY LABEL
@ Ay FEST / Cassette Era
1994 E+ (ClO SIRE CHS )\PSMECRE MD See ER —BANY vIVIZ EOI ICHUAWELE. CLCMSH CHBLE Alot — ANIVEEVEDRED EDU (IBD T RT LL -ANIDIEWS SME TDS! Toy Label (K1 Lb—-NIV) IBRILENE Lie. BE 19954F 3AICISRA OVERLIES qVEL-—YavAtcyEITOWERTYPEIZUU—-ALELE. Ele )p\FSOE A LEUESBN, ZO)S SES st aGR! CHRONO], ZLCHBOIZ80AISOV —FAAPSBMLELE.
In the second half of 1994, Kansai high schoolers Junpei Onodera and Atsushi Nakajima met thanks to a musical connections page in the magazine "Keyboard Special". On the day they first met, they discussed starting a label and, after shortening from it's original name "K-17 LLY —N I" (‘toire reeberu',
"Toilet Label"), Toy Label (K- 7 LY—~N/) was formed. Their first release came the next year, in March of 1995, in the form of the compilation cassette "TOWER TYPE". The main planning for this, and most early Toy Label compila- tions, was done by Onodera, and both members contributed tracks, with Nakajima under the alias Z80A and Onodera using the name CHRONO, among other artists.
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These early releases were, unsurprisingly, hand-printed and recorded cassettes, with jackets being photocopied at the local convenience store and cut out at home. Many of the earliest works were also relatively free of heavy sampling, and took the form of more traditional techno music. The artists themselves have said that at this point they were aiming to emulate the early output of TRANSONIC RECORDS and the like.
TOY-002 Ithrough?JDSlk/\1/\—-Uy Fic bSMl Te | CuePlus | ABs D neji SXEIKTLY—-N/VOIY elcBMLELTE. TD CuePlus OHS HHO Hh ELENT BPM BFUSARK, HO KL L-NIVO RCS —-BT— PIP OE URCALES. SE AIC ERO through? lk 2EBOlS CLEA TOY-003 CHS I Believe in the hand power| KUBleRI TI —-AENKSLOCT,
Beginning with the compilation tape TOY-002 "through?", CuePlus (also known as neji and later a member of Hyper Rich) participated in a number of Toy Label releases. These CuePlus tracks were of a much faster style than most of the rest of the releases, and the first hints of "nerdcore" on Toy Label. Incidentally, "through?" was intended to be the label's second release, but in fact came out after Believe in the hand power (TOY-003).
NFSERBILTNTNS< OMAR EOD TOR Le. HST CHRONO] EE 1c102-Compute |, FUlt-CluCluJ ZEB TUTE. SCT Asohgi (29 ©/MSik) JCOSAR CELTS, PEI Z80A Otthle! MutingMute], JOHNMELON |, ND FIVEREVIS LC RR ES FI) ISO Bal CHEMWL TOE LI. EK, KM Y-NIVOMOT IV/N LEED Muting- Mute (cKS!PAJEROJ CLI.
Since these early days, both Onodera and Nakajima have released music under a number of different aliases. In addition to CHRONO, Onodera also used 02-Compute, Ult-CluClu, and more, and currently mainly goes by Asohgi (HES E/PAM Bik) . Nakajima has used aliases including Z80A, MutingMute, JOHNMELON, /\TFIVGREV, and RAESF7Z/. Toy Label's first solo album release was from Nakajima under the MutingMute alias, PAJERO.
AUK TOY-003! Believe in the hand power|7&ED*5 Nebulizer EHS TV —-F
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Around the time of the above-mentioned "Believe in the hand power", another artist called Nebulizer also became a frequent Toy Label collaborator, eventually releasing several albums on the label. The label's first release that could truly be considered nerdcore was ROBOTCH (TOY-007). While still very influenced by traitional techno, there was much more sampling to be heard, and future releases (especially compilations) would follow suit.
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Beginning in 1995, Toy Label organized events including "Techno Special" and PHOZON. Most were held in the Kyoto and Osaka areas, with Toy Label members and other similar acts playing. These events died out around 1998, but around that time other events such as SPEEDKING began to crop up, often featuring Toy Label artists.
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During that same period, Toy Label also put out two collaboration releases. The first, 9523S RAIL (TOY-014), was a collaboration with neji (CuePlus)'s neji recordings. The other was HlIO7’)V\7r—#— (TOY-017), a team-up with techno label Neuro Net Recordings (NNR). NNR was also releasing cassette compilations at the time (featuring artists such as Leopaldon), but they actually released this music online simultaneously, vastly predating the current netlabel boom.
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TOY-018 marked Onodera’'s final major involvement in Toy Label release planning. Following that, Nakajima has handled Toy Label pretty much single-handedly, with Onodera starting his own label inprinting north release. At just about that time, Nakajima also began to produce and perform as WZ 77/ (Karatechno). While it began as simply a sampling gabber unit, with one cassette release during this early period, Karatechno became an act focused on Karate-related sampling. Not only that, but their live evolved into a real karate demonstration set to Karatechno's music.
@ CD BRE / CD Era
DIFI/DIP—-ALTVIVANLBE EAL -AIVICESRROA CY BUU-RZ ETE. FOB CD COUU—AlcHITLEF. CD UU -ADB—HHIK 1998 ® TOY-022! Believe in the biliquen power] GL7e. THUMM 5 V U-ALT LS Believe in the~J/U—ADSeHahR GC, FOARISEMOTI/ L—-NIVO [Believe In The Frequency Power|D5OA7Y—VY1aCle. LAID EY? DATY 4 FRESBNLTHY, KIL —-AIV ABLE KT — FIP RIROTL AV-ELTHELTWORTEDRDIDVET.
Karatechno's above-mentioned first album was Toy Label's final cassette release, after which they transitioned to primarily CD releases. Their first CD release was the 1998 CD-r compilation Believe in the biliquen power (TOY-022). Continued from the label's early days, this was the final release in the "Believe in the...power" series, which was inspired by a Fukuoka techno label's compilation Believe InThe __ Frequency Power. With tracks from artists including Leopaldon and DATY’ k, Toy Label had undeniably become part of the nerdcore scene at this point.
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From 1998 to 1999, Toy Label focused on releasing solo albums, ingueing ones from Karatechno, Onodera, and Nebulizer/Nakajima also put out an album from his hardcore unit PhRoZeN CReW 97, a group that also performed a few times at Osaka's Ebola Of Core parties. Karatechno's 4th album The GODHAND Experience, released in 1999, was Toy Label's first pressed CD. At that point, in just five years, Toy Label already had over 30 releases under its belt.
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However, in fall of 2000, Karatechno went on temporary hiatus, and Nakajima began using "BUBBLE-B", a name he'd been using to DJ since 1998, as his main alias. The name originated from Nakajima's tendency to play tracks from Japan's early-90s economic "bubble" when DJing. Actually, as a musical act, BUBBLE-B was originally a unit consisting of Nakajima and 1Q300 (of Hyper Rich and Nihonkoku- min), but 1Q300 only wrote a single track ("KEAERY/ \\vy F") as part of the group. The BUBBLE-B project's main concept was this: instead of sampling popular otaku songs or things he was a fan of, he would sample things he had no interest in, and instead of combining them with hardcore or gabber, he would make low-key traditional techno - essentially the antithesis of what was popular as "nerdcore". (In fact, under the name AZ E/77/ (‘netamono tekuno’, "Sampling Techno"), BUBBLE-B put out a series of "Anti-Nerdcore EPs".
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BUBBLE-B's live act mainly consists of the performance of his songs set to videos of the media being sampled synced up to the music's samples. A VHS of many of these videos, B-1 GRANDPRIX'90, was released in 2000.
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In 2001, a follow up to ROBOTCH was released, ROBOTCH2001. Featuring a number of artists, including Fuzita Blender of the very same TRANSONIC RECORDS Toy Label originally aspired to emulate, the compilation was distributed to a number of record stores including Tower Records and HMV. Nonetheless, ROBOTCH2001 ended up being Toy Label's final compilation release.
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The next year, in 2002, BUBBLE-B released a mini-album featuring his first original vocal track, BUBBLE FEVER. With vocals from Xak's Maou-Gen, the CD featured remixes from artists including Smile Hunters and DJ SHIMAMURA. Later that same year, another vocal mini-album was released: Zo TAU!/\—-“ +1 — (Zokkon! Barbecue), this time with Enjo-G of Smile Hunters on vocals.
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From 2003, BUBBLE-B temporarily became a member of Fantastic Explo- sion, which coincided with a lapse in releases from Toy Label. In fact, the only Toy Label release from 2003 through 2006 was BUBBLE-B's DVD Good Evening, BUBBLE-B. However, the DVD featured a number of new tracks with Enjo-G, like Enjoy!-B3# (Enjoy! Chuuka) and yk GFUYZ/\— (Set de Drinkbar), so it's not like they were doing nothing at all.
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In 2007, Toy Label released a DVD-ROM compendium of nearly all of their works up to that point, Toy Label Archives 1994-2007. Karatechno, who had re-formed earlier in 2005, also released a new album, and Toy Label began a bit of a comeback. Following this, the label put out about one release a year, and BUBBLE-B feat. Enjo-G began to perform live often. Additionally, in 2008 BUBBLE-B started a new label called SPEEDKING PRODUCTIONS, and began releasing the SPEEDKING "death techno" compilation CD series. SPEEDKING PRODUCTIONS also produced a podcast featuring BUBBLE-B and Takano Mandokoro of Leopaldon, "SPEEDKING RADIO", from 2008 to 2001. The podcast was then re-formed with m1dy replacing Mandokoro, under the new title BUBBLE-B-m1ldyOTN, BAKES A? (BUBBLE-B & m1dy's Can You Eat This?).
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2012 saw the release of BUBBLE-B feat. Enjo-G's first album, b-7—P<& (£8 (c58U DFS, and the last release on Toy Label for a long while. BUBBLE-B mainly focused on SPEEDKING PRODUCTIONS and live work, and has also started to organize live events again recently. However, Toy Label did release a new BUBBLE-B feat. Enjo-G track in 2017, #&#E=—/\Y7 ~Highway Star~ - so the label does remain active sporadically. Junpei Onodera is also still active, releasing music on his new label anecdote on Bandcamp.
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In 1996, SK1 (at the time also a member of groups including #¥tmasters and au) ||masters) made a demo tape and shared it with another musician, hub master. The tape contained a rotterdam techno-style track with voice samples from anime Mizuiro Jidai, and was the impetus for the creation of XROGER. XROGER took its name from xroger.c, a script file for the program XScreenSaver which drew the program's logo. The logo features a skull and crossbones - also known as a "jolly roger", explaining the filename.
XROGER Dsx4]O CD DMA KERRIES EOC CD DOV T YEO AIAMSTCETRD TOS IK ERO BITAORBIC AION FENDER ERR tHETEIDED CLE. (KEOMALORRAAIE Ot ICP EC TIEIC Sd! BS 7KER CIO Ie BIICUCRWBOMANCRARD SCS.) BE SHS BUD sk1&chub masterEXSIVEZUAROTEIDZALI CLE, ZOE ML BOD FOXYUN £03 AM DSDA, TAQ, ysano KEBNMATOE, 19965ED5 1999 FE COMCTIVNLS 10MEEVU—-ALE LI. RH, XROGER tk 19994F lc PARLE LIED ZOBES | EMERE ClLHSEO0O CD EVUU-ALTHY, PRA ERE OT) \ LO BSD XR-009 GC ZTAS XR-009.5, XR-009.75, XR-009.9921875 ELD McHELY TU, XR-010 (eld KRICUWUBDEDESE FUDENTHELE.
XROGER's first CD, (4° 7K SRE ("FALSE! AQUA AGE"), simply took the cover of a volume of the Mizuiro Jidai manga and dropped the XROGER logo and the "FALSE" on it for the artwork. At the beginning, XROGER was just SK1, hub master, and Tel, but soon after its formation FOXUN from Sendai joined, along with a number of other artists such as TAQ and ysano, and between 1996 and 1999 they released a total of 10 CDs. XROGER claims to have broken up in 1999, however, they've continued to sporadically release 3-4 track CDs since then. The final XROGER album's catalog number was XR-009, and these later CDs have had catalog num- bers of XR-009.5, XR-009.75, all the way up to most recently XR-009.9921875 - they seem to be making the point that there will never be an XR-010.
XROGEREUD Sk EFI AY EBITD COE Lic. EE BHO 19961 cld, A BPRBUNT—7T—RECTUSLAFEPO TURES CT. ELT 19984F5 4 AlcLAOAS BAEC CHOT UH Cd EUG ANEL 1S DEE NEL Teo sk1 & tel & hub master \kEISRICIEAU CU TEKS CG MUA Elt Clt 7X, FEES Hte2ddaysC1 NY KARMEL CU Te PF HAE BU ELIE.
Even all the way back in the XROGER era, they were doing outdoor events, with unsanctioned performances in Sendai shopping arcades as early as 1996. On May 4, 1998, what was likely the first "official" XROGER event was held at Sendai's Kotodai Park. From what | can tell, in these days SK1 and hub master lived in Knato, and XROGER put on events in both Chiba and Sendai.
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XROGER officially disbanded in July of 1999, and on August 21, 1999, the "XROGER Breakup Rave" was held. As sk1 had stepped down as label owner, the other members felt XROGER couldn't continue in the same capacity; however, the remaining members would then go on to form a new group (with nobody in the "owner" role), 7\EKRS.
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AUTRE Vol.14 hawk’s nail
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AUTRE VoL11 The H4Lyb
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AUTRE Vol12 UNK MARIO
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2012-04-30/CD-R 2011-10-30/CD-R 2011-05-01/CD-R
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AUTRE Vol.25
AUTRE VOl.23 A yz
2014-10-26/CD-R 2014-04-27/CD-R 2013-10-27/CD-R
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Clinic Records
G, Yroy77-I=—2"
1995Flcae7 & 1 7<DJ KEMCO, DJ JARECO, RYOONO, BEEPMAN= #8 L- — ANIL. & AV IN— OPE Ga, FLTIARECO, KEMCO, RYOONOM 1 = yy KANDYA —AOVEMOBEMLTOES. TAYE DAV AST IVI CSE. BRELTS BLCETASMLTOET,
Clinic Records was established in 1995 by DJ KEMCO, DJ JARECO, RYOONO, and BEEPMAN. Along with solo releases from its members, the label was also the home of ANFDYA—R (JARECO, KEMCO, RYOONO). The label also held the WAGON STYLE event series, among others, and uncommonly released a number of VHS tapes.
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Ultra Video
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ANDYA-A CLC-003/16#4 2000-10-30/CD KKK
Re-GAG vol:1.0
DIL—¥—AZ -/23 44 2001/CD-R KKK KE
Ultra Re-MIX
DJ KEMCO -/ Hd 2002?/CD-R Kak KK
90°F 4b DJIU—¥—% 2% MIX
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2000-08/CD-R
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video Re-GAG
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Lovely Pop vol:1.0
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Re-GAG vol:3.0
ROMZ 3rd Anniversa- ry SH
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2005/CD-R
bo ahakekd LJ
Lovely Pop vol:2.2
DJ KEMCO
-/18 8H 2002-10-29/CD-R
tok Ik L
Re-GAG vol:2.0
DJ JARECO
-/7 4
Unreleased/CD-R oo. o.oo. 4 LI
LIVETRAX ver. JUNGLE QUEST 2004.10.10 Eva
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2004/CD-R
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Lovely Pop vol:3.0
DJ KEMCO
-/2088 2004-03-17/CD-R
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CLASSICS 1994-1999
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¥¥//.b4a—F
Sasanoha Records
Waffle=#EOL —NILD, PIL —-AIVGGN-AIVY YJ INV IO FIOVEmS
THESICBENNTHES. BHELTIENippon Shigeta=tHOL—NILIDrum' n'Bass JapanJ®FELES.
Early nerdcore label owned and managed by Waffle. Releases from sublabel “BN—-ANIVDY Y//\YO—F" are also collected here. Nippon Shigeta’s label “Drum'n’Bass Japan” (not included in this encyclopedia) was a successor to HHOSINVI-R.
Biss YEA HRs EtA BRS VEGA
QUANTIZE DISCOVERY -SOUND TI/ PHBE -F Als SCRIPT- 643372. -
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1998/Cassette 1997/Cassette 1997/Cassette
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Dr.M&The288SAMPLERS Tape06/?#8 1998/Cassette
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Waffle
Tape09/?#8 1999/Cassette
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1999-04-08/CD-R
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Bete vVEtA
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Nippon Shigeta Nippon Shigeta
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Waffle
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Confederation Ebgp Sie: AS4BR2011 The last instruments
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morihiro TUXU03 1/684 2014-09-10/File b aakekekd
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TUXU024/1 1 4 2013-04-26/File KI
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VIA EP
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TUXU039/7 #4 2016-07-25/File KH L]
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H—FY4FEP
SEJMO! & VIA TUXU038/4#H 2016-04-11/File KKK LJ
23<bba=-2
DCLOKERY A bAT IU!
The Amazing Web Pages of 2<LV3A—Z!
oaoaoa
TA—EA-4 REPIO RRO b IVIA EPIO RRR b Special page for O—F4+-7 FEP Special page for VIA EP
HE BEC EA BVES!— BMW TOEWCFIFE Plus many more! (Though a few of them are dead...)
Red voice,psycho gun! NIP SOUND SYSTEM
NIP SOUND SYSTEM
[Poel WADE
WE DON’T NEED GOD
NIP SOUND SYSTEM -/2 Hb
1997?/CD-R
tk tk L
Red voice,psycho gun! - RRA BUA remix
NIP SOUND SYSTEM NIP SOUND SYSTEM -/2 tH -/9 tH
2000?/CD-R 1998?/CD-R
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2000/CD-R 2018-04-26/File
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PILL IETS TFCD-013/5#8 2010-12-31/CD-R Kaka L
DAUGHTER OF SILICON Ree a ar TFCD-008/13#H 2005-12-30/CD-R tok Ik U
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INSTANT SHOCK
PAZ OE IES TFCD-012/10#8 2010-08-14/CD-R Kk KK L
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Run by the collective of DJ 70.244, SAKURA, 108A, 5& (£4, 29. Also held the periodic event of the same name.
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1993 6AlcIF YAP YIN-JFIARIEWDHACEY DAYS FI/ODF 4 FEMELTO TE REIC=A BO. FORO BREOMERICT NV heRTS KDCEDN VY LA CHINVEBRLTELE. ETNEEDIMT CTAB PL MEDICINE CASE], FEMDJ2ZXE OF F/P—-F4ALDREY, 1993 11 AC BR Balc CTHYPER RICH PULSE Vol. JC S1NYhLDREENE Li. Vol. DSC \SIERDOEKICI DIV INL II/IOIY US b CHS BARRE SS BUGEDSREESEDCE OTR KEICS.
In June of 1993, Kozaburo Narita, then performing hip-hop under the name "FYIAPYIN—IZAFK" ("Natsuko Upper Crust"), was asked by the owner of Shimokitazawa club #t#SZ to put together an event, and put an ad seeking
collaborators in Sound & Recording Magazine. After recruiting "am" (inochi,
"life force"), "MEDICINE CASE, and "EMD", Hyper Rich was established and in November of 1993 "HYPER RICH PULSE Vol.1" was held. While not quite established when the label first began, Hyper Rich was came to be centered around the concept of "violent techno", and referred to themselves as "the prince of Japanese techno musique’.
199458 4A IAI VT IN-UYFOUU-AB—BLG ie BER IS IDET enELTE. ABENC CD FL ALAC OD HIRAI RAD BHA, DTU BOSTEVAF COORD TL AENKESC BAETOVEROD CDISZOT LALIG CUO CI LASHNB MED EVSBEMUETEDSVEST. AR ELT. IVEL-YayVREOSRAREMWLTOESTD EEAEOHDT YAP YIN-TIRALOHC EBSDEWSEVIVNLESDIERUECS, Hale EMD, MEDICINE CASE, 2 (E34 Kohei Sakae) ZKEODV—-FLAKSEBHLT WELK. EK. De Ty MBA ID—-IONOT1C TF ClCTOITIEF— F AV OR MMERAATOES. BAU U—AsRELTIHYPER RICH PULSE Vol.3JDBREEN TOES,
The label's first release, E#E38 15 (kokusan dai ichi gou, "First Domestic Product"), came in April of 1994. Domestic CD pressing in Japan had only just begun at the time, and this was a very early domestically-pressed CD - in fact, | even heard at one point that it was the very first product from its particular pressing plant, hence the name. While the CD refers to itself as a compilation, most of the tracks are by F‘'Y177'y/\—7ZDAK, So it really functions as more of a solo album. That said, it does also feature guest appearanced from EMD, MEDICINE CASE, and #& (dentaku, an early alias of the above-mentioned Kohei Sakae). The album's artwork is a pretty direct parody of Denki Groove's "Karateka", and in that sense there's already a bit of a nerdcore air to the label. A release party for the CD, HYPER RICH PULSE Vol.3, was held the same month.
1994EDS 1998F ICD MI Td, DIEU BUNA CL NY FORMELUU—A ABBR ICTID TOWNE SF, 1995F 2AM HRC-002I FHA X OY BIDS, 2S 6 MOIVEL-YavV FOF CHlstloUU-ALTWOEKS. CNEL TOVY —ROAYINIEDBSBT NUP FID (FTV) © SRENEY CHF BEA CUTECES OF. HRC-003 (EXBEM LAY IO FPA VEAINE SE AMZ (?) O NENDO GUE. EXROMHAX VY N-EEBIC LI DAIRARL DATY 4 F. Neuron (EMD Of 438) HRE7IZEZ. Dey 7/\FORERE<EM LTWELIE. SUT HULADBBELTIA I NT IN-UY FON RAY Aste eA SEOSS CIDNTOELE.
From 1994 to 1998, the label was both putting out releases and holding events at almost a breakneck pace. The second physical Hyper Rich release was HRC-002 "7°79 X D> Sax" (dekameron densetsu) in February of 1995, the first in a series of six compilation records released over the span of two years. Without even getting into the music, each of these releases were quite unique and eye-catching, thanks to both the titles and the artwork and design. The designs of HRC-003 EAE WY — — ("Ninten-doshi Sega Sony"; | have to admit that | don't actually understand this one) and others were handled by the popular Nendo Graphics. In addition to the previously mentioned members, these compilations also heavily featured == 24%A A (also known as Smily Slayers), DAT77 F, Neuron (another alias of EMD), #28270 4ERIZ (a band taking their name from the Japanese title of the 1982 teen comedy "Zapped!"), and 7 +Y7IXFS (Jack Badra). Aside from the songs themselves, something else Hyper Rich was well known for was its extreme mastering, employing abnor- mally high, extreme levels of volume.
VAIN Y FRBELET ANY KOIEER EST VARY PRERS AatlC RECN CH, HEE ES ROIISHECAL, SHED SIECALBVER hoo FEAR CTR, D-NIVOAVIN-PFALEEDSAT Cl, YU-ALTOStEMKVE BICHLO ER, AKERS CIDNTOR KS CT. SH BR Actp SAV CTO FE TU —A—/ \—I Digital Biscuit] cl&! HYPER RICH PULSE Vol.6) D514 FL A—bDBRMEN TOE LIE
Most of Hyper Rich's events were held before the internet was widely used, so there's not much record left of them - only a few photos, and no video whatsoever. From what I've heard, they usually featured the label's main members performing live, with some of them getting even more aurally extreme than on the physical releases. Digital Biscuit, a zine from the period Hyper Rich was active, featured the label a few times.
58790) HRC-007 (&704! ETE (OULD fe 9 EWT) JLWSATHVCU Y—-RENBIETRIIED CTR. JU -LBAVI SIF RT bh BBICOS ET bIVICBBENTOES. fete. VF OARS CD REVI-RENTHSZODCF D. THOT HRICOW ClETTR OI BET ER CHESNKEDIC. ISI LA b BEIOY—)VeROKbEOKROKULET,
HRC-007 was originally intended to be titled "TZ" - a made-up phrase with the same reading as Denki Groove member Takkyu Ishino's name. However, Ishino and Sony Music issued a complaint, and the title was changed to "2474 + S¥" ("Dynamite Youth"). However, it turns out that the vinyl! release of the compilation is actually the original release with a second label sticker with the new title stuck over the original.
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In September of 1997, Narita's first album under the Sonic Dragolgo alias, DAOURF bEA (nonbiri poteto-san, "Carefree Mr. Potato"), was released on Hyper Rich. Beginning with this release, Hyper Rich shifted from vinyl releases to mainly CD releases. From 1998 to 2001, the label's releases were split about half-and-half between compilations and Sonic Dragolgo solo works. It was also during this period that 1Q300 (who you might remember as Nihonkokumin's Tabemono), Doly, and BE (Kakuseiki, better known as m1dy) became regular label participants. Hyper Rich's work was also featured multiple times in club music magazine GROOVE around this time.
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2000BEY. YVIyZ7FISAVARA-DYNGCEARUCHUWY CEIMGES WWHAKDICEVES, F4'YO Fuckparade OF A—b CD (CHAINER E NICU. 7 DYADIN—EFAPL—-AIVPSAT UY KVP FOFECHENTHOE LI. 2001 =O HRC-017! Sh RiE4S -Heine@Ken-] OK FE — B/N INU vy FOUU-AK DDAEENET. TO CD ISN Cb TMIBEN COT ULELED, lc BABIN CISAFTSTCEDBLDDE KS CT. KE, TCOSMRECYIYIES WVAEDSRLEVLTU TZ beauty:beast- NEVEN OL) FRR Kemonotsu- kai HB CSEMLTWE Lie. FPG HALC RHEE 41 7@ HYPER RICH PULSE Vol.35% #9 HYPER RICH PULSE (deme EIEGVUELTE.
In the early 2000s Sonic Dragolgo began to experience popularity in Europe as well. In addition to contributing to a support CD for Berlin's Fuckparade, France's B.E.A.S.T Records also put out a split vinyl featuring Sonic Dragolgo. After the release of HRC-017 "28 a;#4* -Heine@Ken-" in 2001, Hyper Rich went on an extended hiatus. Heine@Ken was widely distributed outside of Japan, and in fact was apparently difficult to get ahold of inside the country. An interesting thing to note is that Takao Yamashita of beauty:beast/NEVEN also participated in this release, under the name Kemonotsukai. The CD's release party, HYPER RICH PULSE Vol.35, was also the final HYPER RICH PULSE event.
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Hyper Rich's hiatus in 2001 was mainly due to Narita moving overseas. However, from 2003 to 2005, Doly established the sublabel "Hyper Rich Yokohama", releasing a few CDs. Hyper Rich itself also made a comeback in 2005, releasing a number of Sonic Dragolgo works at Comiket. In 2010, HYPER RICH PULSE returned one time, and a new 7” record from Sonic Dragolgo was distributed to attendees. The revival was short-lived, however, and though there was never an official announcement of dissolution, Hyper Rich hasn't been active at all since.
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Unsurprisingly, Handaya Rave also began putting out CDs, starting with "Handaya Rave '04 and coming out at a rate of one or two a year. Handaya's compilations regularly feature the Handaya Rave crew alongside guest contributions from artists who have appeared at recent Handaya Rave events. They've even attracted some pretty big names, like Hiroshi Okubo and sanodg. While each CD features a loose theme, such as Ika Musume or Aikatsu, the music contained doesn't necessarily sample whatever the theme is; it's more of a way for them to say "if you like this thing, you'll probably enjoy this CD!".
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A short-lived label and unit run by 71 AV HABA (as AF 7+) and #. In addition to their CDs, they released quite a few tracks on Muzie, which are still online as of 2018. In 2004 they joined up with HOMW7K_LPF for the spring M3 and registered under the name HOWAAR—Y.
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In 1992, a predecessor to All Japan, 3.22] (Minamigaoka Corps) was formed. Minamigaoka Corps wasn't a musical group but rather a "wrestling group" (really just a group of 5 kids messing around); however, one of its mem- bers, lwaki, would go on to be the leader and a founding member of All Japan Records. On August 1, 1993, after purchasing a sampler and influenced by punk label #¢=238{t CE ——)L (Murder Vinyl Chloride; home of Moudoku, who were
mentioned in the Cycheouts article), lwaki and another member of Minamigaoka Corps, Kame, created "super-extreme" techno unit "343-1" (School Poisoning), and All Japan Records was simultaneously born.
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School Poisoning made tracks throughout 1993, and had their first live show in March of 1994, at a friend's graduation party. On May 31, 1994, All Japan released 5 School Poisoning cassettes, limited to one copy each and given out for free at Chameleon Records Kokura, a record shop in Kitakyushu. They then went on a short hiatus, and on March 15, 1995, released School Poisoning's first aloum "UL EBBEADUODU-PE51IE...", sold at the same Chameleon Records. That same year, Kame met the person who would later go on to produce as Yama, and after introducing him to Iwaki, the two formed a new unit called A7 DLs (Scrum).
School Poisoning and Scrum put out a number of cassettes, including some silly things like a set of high school girl-only releases, and were apparently rather popular, with every release selling out within a week or so. Iwaki was also part of another Kitakyushu artist colelctive, SHOP, which held a number of events that All Japan artists would appear at.
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Up until 1997, All Japan's activities had been confined to the Kitakyushu area of Fukuoka, but in mid-1997, Tokyo-based indies promotion group "music treasure" offered to stock All Japan releases at a shop in Harajuku, expanding the group's reach. At the same time, Scrum announced that due to differences in musical style they would be splitting up into Scrum A and Scrum F (Iwaki). A week later, Scrum A created a new alias, Yama.
19974E DS 19984ECANFT. TK & Trophy CHS = MACKS, BREE ® DieTRAX HAAICMALES. 1998 OMAK CD OMA HAAL KO ALY RF—-TCOPERERICHHER ML CTOER ST. AILS 1998Flclé DieTRAX #EI C#2AAL I— FP PHOL—-NIDABEDT! Ultra Techno Records JEWS LY —-NIVA CHABSRLI! hI1 I4-ACDIZRBL, He FORE CEL. RAB Bich Dy VR ADIEWSLANY A CEAMORRG AFT bt DHRELE. SHDIAINIA-N VY ADA A IVS. HERLEDS PUTS — BFK Bo KY, RoKVEWoKR ESE HAKEICRLES LEWD TERECH. Pv VR: ADIT AI NV BY BY vp -PAIVEMOELTE F-FAPEP-FAAbSSRMYIBLTHY,F—-RIVI-LOBRRO— DE DKEDCLEODEBATWOERT,
From 1997 to 1998, 2-person unit TK & Trophy and Hiroshima-based DieTRAX also became members of All Japan. All Japan began releasing CDs in early 1998, putting out both reissues of old cassette releases as well as new albums. Also in 1998, DieTRAX headed up "Ultra Techno Records", a collabora- tion between All Japan and a few other labels that released the above-men- tioned Tryforce CD - which was widely distributed at CD shops across the country and advertised in popular techno magazine LOUD. Soon after the release of Tryforce, All Japan had their first Tokyo live show at an event called " D+ YAR XA" ("Jumbo Mecha’). All Japan's live performance mainly consists of them playing tracks, working a sampler, singing and dancing, and generally just having fun with everyone. Jumbo Mecha also featured, among others, Leopaldon and Sharpnel, and seems likely to have been a big kickoff point for the "nerdcore boom" that was to come.
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From 1998 to 2002, All Japan continued releasing albums, including ones from newcomers "5e[]" (Usagidan) and "SUPER FAMILY", and performed life quite a few times. They also put out t-shirts and other goods designed by NENDO and ghs web graphica. In March of 1993, All Japan released Hotline, the first in what was planned to be a monthly compilation series, but which ended up being the only entry. Around the end of 2002, All Japan for the most part ceased both live appearances as well as CD releases. However, in 2003, they did briefly return to contribute a track to "#=E" (Dokuou), a Moudoku remix CD released on the same Murder Viny! Chloride that had inspired All Japan 10 years prior.
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2005 FICO TY A—AY KIT TIM O6MF YT], 2007 FlclkTAFV YX PITIEWSLANY FECAL SUDI1 PEAKE LI. ELT 2011 lcd 4 RU OBE 1 TD HONDALADY © 15 BERRI NY A COAOEL. ELE, 2010ED SILT IY FISIEK, Mixcloud, last.fm (554A TLKO THES), MySpace &ECIBAO CD PIT TSR: RHRBET TUTORS. 20145 Weld 1D EMF AF 7ESVUD CD YUU—-AZELTHORZA METALL JAPAN IZ 3853 LE Lic, 2018 C25 AESBAELT.
In 2005, All Japan put on an internet event called "163¢- v7", about which not much information remains, and in 2007 they performed live for the first time in 4 years at an event called "AV YIP 7" ("Schizomaniac"). Waiting another 4 years, they had a subsequent revival live in 2011 at HONDALADY's 15th anniversary event. Also, beginning in 2010, All Japan began uploading parts of their back catalog and unreleased tracks to Soundcloud, Mixcloud, last.fm (no longer available), and MySpace. In 2014, they performed live twice, and released a best-of album from Yama called ALL JAPAN. All Japan Records celebrated its 25th anniversary in 2018.
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Mini-Interview with Die and Yama @Die
OQ: SABRLI—FieADEEODWIERATCIEEW. How did you come to be a member of All Japan Records?
Die: 97 iced S ICHOKAALAYLI—F CHA TIBALYh. FL TADALICBONTA LY MEWICEDRICFLU RBA. ENPAALAYLI—-F VEE SCI VBlIS RC ISIC SU) AWC LCRSNTU Te, SARL I-KREOWRW. ZOBle. TYE—-AY A CHV ADEA EDES C DIT VhERSEWDDICREBENLTEM. COBB eS DEIR CUTE OM (SARLI-FIZ POC RIFE (SSA RLU DH RAO) S (6~ SNS otk Recor! ICRRRAL KSOBCOTAY Ne DIL WTO VERRICADESICIESD. TOK EDDY V1 ELC PELI— FEAT TI REDOSTES— Hele CD ME NIEDTEC ENB SET IFS 2Oig CEBAU. ENPDIVESDTI/LA— FELT. SBALIAI— FOR CD ThI4 74-ACDIPDA A CHMBENDZD CHI.
In 1997, at Chamelion Records in Hakata, Fukuoka, | came upon some interesting-looking cassettes. | still remember the names "Yama" and "Scrum" catching my eye and buying them. That was my first encounter with All Japan Records, who were at that time based at the Kokura branch of Chameleon Records - about an hour from Hakata. Later that summer, some friends I'd met online were putting together a DJ event in Hakata, and invited me to join in. One of the people at the party prep get-together was Iwaki of All Japan Records, and | was like, "Hey, | bought your tapes! They're great!". We hit it off fast, and | ended up performing often at their events in Kokura. A little after that, the owner of the record shop | was part-timing at told me, "If you've got friends who make techno, you should put out a CD together!"
174
| brought the idea up with Iwaki, and that's what led to me joining All Japan. The release that came out of that discussion, "Tryforce CD", was put out under All Japan secret sub-label Ultra Techno Records, and was distributed all across Japan.
{SRST (SARCRSS) —BRP OKRA CLAS D? What's been the best thing to come out of your music career?
Die: EROEOMASCKROKTE, EKEDOBINS CEN OBIBBAICBA CH CETL.
Getting the opportunity to come to Tokyo. Thanks to that, | was able to meet and work with one of my idols, Takahashi Meijin.
Q:SBARLI—-FSSHLERICADTHSRROHE—OMNLTCHESEL. What's a personal favorite track you've released through All Japan Records?
Die: Witt Gt,45 SITAKAHASHI ATTACK CS. Fo fe SB LEAT ORIEL ALBOUW!EBOSNKOES CEBOHLES,
"TAKAHASHI ATTACK’ - it's also one of my most popular tracks. | can still remem- ber back when | first made it, Yama prasing me saying "It's got great rhythm!"
OQ: SBRRAMN CRI CHIEWTE- PZIEVOTELBVET CLESD?
What's your next plan or goal for your music career?
Die: #8} C91 TRLIEWCS ta. HRD AZ DIBCZODEWSRRDSVES.
I'd definitely like to perform live overseas. | really wonder how the Japanese sampling and gags would go over.
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Q:SARLIA—FicAsKEODIERATHIEEU. How did you come to be a member of All Japan Records?
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At the school | was going to, one of the guys | sat next to was a founding member of All Japan Records (not |waki). We both liked Denki Groove, and through talking about that, he showed me some of the songs they'd been making -| fell out of my chair in both astonishment and hysterics. After that, | bought a sampler myself, and made a track sampling voices and rhythm from "# S7U Fe " (Abunai Deka). When I showed it to my friend, he loved it and introduced me to Iwaki, and we began to hang out. One day they mentioned they were putting together a new tape release, and suggested putting my Abunai Deka track on it, and | realized that I'd become a member without even noticing.
{SRE eLT (SARCMRSS) BRO OEMRBISTCLLSD? What's been the best thing to come out of your music career?
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Every single thing has been great. | can't think of anything that's been less than awesome. Back at the beginning, | was just making music to amuse my friends, so being able to move beyond that and have other people enjoy and dance to my music makes me really happy.
Q:SARLIA-FSSHLERICAD THOS RA OME—ORNLTCEEL, What's a personal favorite track you've released through All Japan Records? LUTHER UA—Y Z|
"EES 2— Y/R" ("Souchou Returns")
O:SBRRAM CPI THEWTE:- PZICVONTESBVEF CLEDDY? What's your next plan or goal for your music career?
WATE. REDSAILE SD EDDDSHSE! CACHES EA TAOS KSEDOIED DS, TNPSEICADSSINEDD SEW CS. HAOBSATKIOCT EE CWOERWCT. BE. SARLI—F CITT PUT CS. 1 IF RED TKC S UATE Co AREA UIE UTE (RK)
That's a good question. This time last year | would never have dreamed I'd be composing a song for You'll Melt More!, so who knows what's next. I'd like to keep living and laughing. Oh, and I'd like to perform live as All Japan Records again. With Iwaki and TKC. If | could get in touch with them, haha.
2018-03-22
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Just two months after XROGER disbanded, Hakke Shoukai's first event was held.
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Just as they had as XROGER, Hakke Shoukai continued to release compila- tion CDs at Comiket and M3. During the XROGER days, these were CD-Rs, but beginning with the Hakke Shoukai era they started releasing on pressed CDs. Their releases came to be quite popular, with many such as HYA—-/L selling as much as 500 copies. They also put out 77y7! VIF ark Z,a "collaboration" with XROGER and a rare analog nerdcore release, which has since become a very sought-after item.
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The "Hakke" (/\#h) in Hakke Shoukai literally refers to the Bagua, but it seems likely that it's also a reference to hakken given their musical leanings. They'd actually made this joke back in th XROGER days: XR-008 is titled “L¥ J\h ("Fushigi Hakke", a plan on Japanese variety show Fushigi Hakken). Incidentally, the "Shoukai" (#23) part of the name simply means "company" - "Hakke, Inc." basically.
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Hakke Shoukai ceased activities soon after the release of "CZADHSK" in December of 2003. Soon after, in December of 2004, many of the same artists who had been members of Hakke Shoukai came together to form a new group and party series known as \kAVTEP LF 7, mainly focused on showcas- ing producers of interesting and unique music.
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In 1998, cosplay and anime/game apparel maker COSPA and gothic fashion brand beauty:beast teamed up to form a new brand, "COSPA vs beauty:- beast". COSPA's chief designer (now executive vice-president) null500 and beauty:burst designer Takao Yamashita used the brand to put out a wide range of fashionable, anime-inspired items.
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Through this venture, null500 met beauty:beast designer and head of PR LOU. The two teamed up to create a new circle not limited to just fashion, but dedicated to spreading their own idea of Japanese culture throughout the world in all forms of media, and in 2001 "AAEYE" ("Nihonkokumin", literally "Japanese citizens") was born. The label name in fact uses an old, disused version of the kanji for "country", Ed (rather than E)); perhaps this is meant to indicate the circle's goals to promote the long and rich history of Japan. The circle began by selling original t-shirts, stickers, buttons, and more, mainly inspired by Key and Leaf games.
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